SXSW's New Event V2V Aimed at Entrepreneurial Innovation

South by Southwest (SXSW) just announced a new event called  SXSW V2V which will take place at The Cosmopolitan of Las Vegas in Las Vegas next August 11-14, 2013.

They'll have panel discussions, workshops, mentor and coaching sessions, pitch events, rapid-fire presentations, and networking opportunities.

SXSW V2V is an extension and re-imagining of the legendary SXSW experience with an emphasis on the creative spark that drives entrepreneurial innovation. This event brings the startup and venture capital communities together with creative industries.

They plan to cover the following markets: technology, music, film, fashion, health, education, sustainability, and others. The price to attend is $695 through December 14, 2012.  

The Geek 'Fashion' Culture of Silicon Valley Hurts My Eyes

When I first moved to Silicon Valley, I found myself overdressed most of the time, and my New England meets Europe and New York style of dressing just didn't float well with the very youthful techies who showed up to parties in torn jeans, t-shirts and sneakers.

While I fought it at first, I have always taken a 'become your target audience' approach to marketing and PR and since that's my biz, I turned geek for awhile.

After a year or so, I found myself dressing down nearly all the time, even at industry events. I'd wear sleeveless shirts, jeans and sweater wraps which was probably a tad too young for me but then again I was surrounded by engineers who were barely out of puberty. It was about as 'down' as I could dress and still look at myself in the mirror.

Dressing 'down' may have made me assimilate a bit better into geek culture, which was a culture I needed to wrap my head around, but it never made me 'feel good.' I always felt that 'dressing down' was 'dumbing down' who I was even though we only have to look at how many of the geek powerhouses dress who are running fat multi-million companies to know that they don't go hand-in-hand.

That said, dressing 'up' makes me feel 'up', behave 'up' and think 'up,' most of the time. It doesn't mean that I don't get brilliant ideas at 3 in the morning when I'm at my computer in shorts and a t-shirt, because that happens often. Or in the shower, like it does for most of us, when our brain has a few moments to get away from the always-on overcharged place it has been operating for hours at a time.

Those who are close to me know that the fashion sense or lack thereof in Silicon Valley makes me crazy and is one of the things I hate about living here. I miss the fashion sense and energy of New York and most of Europe. And, even though Boston was far too conservative for my taste, at least women wore dresses, jackets and jewelry that you marveled at from time-to-time or wanted to touch. New England men may not win any top prizes for fashion, but they know how to throw on a well-cut jacket and the right shoes for an occasion when they need to.

Many women are tactile, we love touching and that doesn't just mean our significant other, it means materials too. The first thing I do when I'm in a shop and see something I like is walk up to it to 'feel' the material so I'd know immediately whether I'd 'feel' great wearing it. 

I remember being at an opera once with my ex and we were in the second row. He was an opera guru and could never understand why I had to sit so close to the front of the stage. When the lead opera star came out wearing a vibrant eggplant Asian silk dress with a mustard and turquoise sash that was so decadently beautiful I nearly cried, I informed him that I was close enough to nearly feel what it was must have felt like on. You don't get that from the balcony or even from the 20th row.

When I first started blogging and was part of the early blogging trendsetters, there weren't many women in the scene, so the fashion culture of those RSS-education days was sadly lacking. In the early BlogHer years, when it was all bloggers and no brands, the style was eclectic and all over the map, but one thing that was consistent was the use of vibrant colors. See my photo blog post from 2005 that showed some of the styles of women bloggers at the time and my 2007 post when Project Runway designer Chloe Dao inspired female bloggers to cut up materials and create their own designer t-shirt in a variety of bright, fun colors.

That 'offering' couldn't have been more enticing for someone like me who craves a whole lotta art, fashion, style, craft and creativity in my life. I don't get enough of great art, design and fashion in the start-up world although frankly if there were more women founders, then perhaps we'd have more creative 'offerings' for the world to play with and the UIs would look like a mixture of Vogue and Apple rather than Evernote and Delicious.

The New York Times just ran a piece entitled "Techies Break a Fashion Taboo" and with a title like that, how can you not be drawn in? As they rightfully point out, "Silicon Valley has long been known for semiconductors and social networks, not stilettos and socialites. But in a place where the most highly prized style is to appear to ignore style altogether and the hottest accessory is the newest phone, a growing group of women is bucking convention not only by being women in a male-dominated industry, but also by unabashedly embracing fashion."

Ahhh, beautiful MUSIC TO MY EARS. I'm thinking, breathing and saying all at the same time: GO GIRLS! How can I help?

I had an idea awhile back about throwing a Geek Fashion Show, a bit in 'New York runway' format in someone's home. The idea is that geeks would be forced into fabulous designer clothes, women would whistle and ooh and ahh, and perhaps a little female attention might turn things around.

Somehow I think that if the woman didn't have a device dangling from her body he could play with, she may not be that interesting to him. Okay, I'm being harsh here, but as someone who has been in the Bay Area for 7 years now, I feel less feminine in San Francisco and Silicon Valley than I've felt anywhere else I've lived (and that's 10 countries and 5 states folks).

This energy comes from increased polarity between sexes (or masculine and feminine energies if the same sex). The stronger the polarity, the stronger the chemistry. Polarity is when a woman assumes her femininity in a relationship and a man assumes his masculinity.  Since I moved west, I feel as if everyone and everything is equal, everyone and everything is a community, everything and everyone are partners and there's no difference in energy when I'm talking to a man or a woman. There are plenty of people who will disagree with me but I wonder if those who will have ever lived in South America, Italy, the South, Paris or the Caribbean. And god no, I'm not advocating for a return to a 1940s housewife culture, and if you think I am, then you're missing the point.

Polarity plays into dress and fashion too. What I find attractive in a man (clothing, walk, voice) is not necessarily what three of my closest girlfriends will find attractive, but when we dig into attraction at its deepest level in our conversations, what rises to the surface is that "Je ne sais quoi" that creates that feeling of 'want and desire' -- a polar opposite reaction if you like, the trigger that makes a woman feel like a woman around him. When that reaction is the strongest, it is when he's tapped into his (or her) masculine side, whatever that happens to be.

So I guess its no secret by now that I find a man who knows how to dress attractive. And, while I'm heterosexual, I'm drawn to women who know how to dress well too. Sure, dressing well is a matter of personal taste, but regardless of what your taste is, one thing is certain: when a woman dresses well, there's 'care and thought' into matching  clothes, shoes, accessories and colors into a creation of sorts she feels best represents her personality. To me, that's powerful, confident and sexy. The same applies to men, at least for this East Coast-born chica who has spent many years living in Europe.

This photo from geeksdreamgirl.com in a post called Geek Fashion Does it Matter reminded me of how I often feel in Silicon Valley.

 

 

 

 

 

 

 

 

She writes: "geeks are made up of all kinds, but a frat-looking dude in an Abercrombie or Ed Hardy shirt is going to look more out of place at a con than a chick dressed as Hermoine after she drank the cat Polyjuice Potion."

Outside of Silicon Valley, it all looks out of place, yet geek 'fashion' has hit parts of Europe and just when I was about to guess they were from Silicon Valley, a Dutch, Irish, German or Israeli accent came out of his mouth. Frightening.

Take this photo found on Laughing Squid, where Bill Nye the Science Guy Teaches Chris Hardwick How To Tie a Bowtie. They both look like the whole process is just a tad too painful.

 

 

 

 

 

 

 

 

 

Even if nerdy checked shirts aren't to your liking, it's a helluva lot better than this:

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photo credit: Randy Stewart

The above shot of Ben Huh is more along the lines of the every day fashion I deal with everyday living in Silicon Valley and it hurts. I've been so reluctant of saying so this publicly for so many years because of the backlash that I've kept my moans to close circles. But for crying out loud, it hurts all of my senses and I can no longer not say so.

Says GQ of the the Ben shot: "we can tell you just rolled out of your 1,000-thread count bed sheets and picked out the nearest T-shirt in or around the laundry basket."  What's really sad is that most of these guys are actually proud of a statement like that.

Then there's this eyesore. An invitation to the White House and this is the best that Faceook's Mark Zuckerberg can pull together?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Something tells me this was a PR decision or a defiance "this is who I am so f-you" attitude decision. Above photo taken from Hollywood Reporter in an article entitled Facebook's Mark Zuckerberg Named Worst Dressed in Silicon Valley.  Just attend any of the countless events on the geek events list and you'll definitely find worst nearly any night of the week.

Or dare I suggest crossing the bridge and hanging out in Berkeley for awhile. (Apologies to all of my Berkeley friends who will never speak to me after that comment, but c'mon aready - can't we just call a spade a spade? Just because you're not great at fashion, it doesn't mean you don't ace a million other things in life).

Foursquare's Dennis Crowley just made #5th worst dressed men of Silicon Valley by GQ (although he actually lives in New York, but just dresses like he lives on the other coast).

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photo credit: Getty Images

They're a little harsh in their write-up especially since I personally adore Dennis, but I have to admit, its incredibly accurate: "Unless Crowley is making a social statement about the threat of student loan debt, it's time to graduate past the junior section."

I feel that way about 90% of the men who can't make an effort to graduate past high school.

Remember the way Bill Gates used to dress? Even if you think this shot looks like he's graduated to the Connecticut suburbs and the colors so don't work with his skin tone, you have to admit, he's at least graduated past high school. Enfin!!

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photo credit: Matthew Staver/Bloomberg

I'm surprised that GQ put Craig Newmark on the list, who I also personally adore. Here's the thing: Craig makes an effort whether you think its fashion perfect or not. He's not in a t-shirt he grabbed from his laundry basket, he gets the 'shoe' thing (the man is never seen wearing tacky neon sneakers that don't match anything else), he wears great scarves and the hat just suits him. Of all the men they could have chosen in Silicon Valley, really? I can give you 50 other men who should have made the GQ list. Personally, I think "it" works for him, wrinkled shirt and all. How many men do you know who have wrinkled shirts who aren't geeks?

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Photo credit: Getty Images.

From a post in Blog.stylert.com, they ask: "Are you a real geek? Are you proud of being a geek? You can be cute (or sexy), yet embrace your geeky style. Geek fashion refers to the embracing of stereotypically unpopular “geek” characteristics such as glasses. They dress almost identical to hipsters but verge more towards being into comic books, pop culture, technology, etc. rather than hipsters who are more into poetry, brooding, and generally being pretentious.

The definition: Well, basically, you take key pieces of a typically geeky wardrobe and wear them with purpose and aplomb, to make a point. Not because you’re clueless and out of the fashion loop, not because you can’t afford Ralph Lauren — because you want to. Think thick black glasses, pinstriped suits with skinny ties, sweater vests, and pocket protectors — a hipster vibe with a nerdy edge."

This doesn't mean a TechCrunch t-shirt with jeans and sneakers. They write: "many elements that arguably define “geekiness”, such as varying degrees of social awkwardness, mathematical ability, strong interest in science and/or science fiction and fantasy, and varying degrees of disinterest in one’s personal appearance, remain unfashionable."

The point? Get creative. Care at least a little. Mix geek with other styles.  For example:

 

 

 

 

 

 

 

 

 Photo credit: Blog.stylert.com

Says the NY Times piece, "despite the geek stereotypes of hoodie sweatshirts, flip-flops and thick glasses, it makes perfect sense, these women say, for people interested in technology to be intrigued by fashion. They quote Marissa Mayer pictured above left, who said in February: “Like components of software,” she said, “fashion designers learned how to do this shoulder, put pleats on the skirt that way.” Apparently she once paid $60,000 at an auction for lunch with Oscar de la Renta. I wonder if she'll use her elevated salary at Yahoo for luxury wanna-haves like this one?

Thinking like 'software components,' she asked Naeem Khan to make the dress for her wedding to Zachary Bogue, a financier, in 2009. "She gave the designer a spec (a set of requirements that engineers write for new products) for the gown, including scalloped trim, an A-line skirt and lace, preferably with snowflakes." Too funny, but if its the way her brain works, it's the way her brain works.

Compare the above set of four men to the below set of three women. What draws you in more regardless of your sex? Great style is great style is it not?

 

 

 

 

 

 

 

 

 

 

 

From left: Theresia Gouw Ranzetta, an investor at Accel Partners in Palo Alto, Calif., Sukhinder Singh Cassidy runs the video shopping site Joyus in San Francisco; Ruzwana Bashir is a founder of Peek, a Web travel start-up in San Francisco.

Well done ladies and don't ever stop wearing great color and great design regardless of how much push back you get.

Keep the trend going so we can add just a little bit of sex appeal to the Bay Area. Silicon Valley is starving for and in need of a whole lot more sex (appeal :-) and while the geeks may not admit it, if they go there, and get the benefits and rewards that it might bring, they may just never look back.

Photo Credits: above triage photo: Heidi Schumann for NY Times, Marissa Mayer, left, head of Yahoo, with the jewelry designer Monique Pean in 2010): Jemel Countless Getty Images and photo upper right: Peter DaSilva for The New York Times.

 

Learning About the Magic of Lighting with Rick Friedman

If you have never done a photo workshop, and are remotely interested in photography, then you should figure out what you want or need to learn and set aside some time for a few workshops and classes. Why do one if you're not a pro or planning to be one?

Easy...workshops give you access to the best photographers in the world (aka the instructors) and people who are the most passionate about photography you'll likely run across (aka the attendees).

Rick Friedman is a well known photographer based in Boston who I met and worked with about 15 years ago. Although I've known of and respected his work for a long time, I've never done one of his workshops and the timing couldn't have been better. Rick's magic sauce? Among other things, lighting.

Lighting isn't an easy thing to master. If anything, I find the thought of dealing with flash more stressful than actually dealing with it. While mastering the art of lighting takes time and understanding it can be complex, once you dive in, you realize that you can get up to speed fairly quickly with the basics and Rick is an excellent instructor to get you there.

He did a series of workshops on the west coast recently: San Francisco, Los Angeles and the San Diego area. 

While Rick is primarily a Nikon shooter, we had plenty of equipment and toys that worked on both Nikons and Canons and as most people know, I'm a huge Canon fan and am never far from my trusty Canon 7D.

His workshops are designed for wedding photographers, portrait photographers, photojournalists and serious amateurs who want to improve their knowledge of lighting. He started with a single light and a single piece of advice: "Look for the element you can't control and set your exposure for that unknown element," which btw, is often the sky. Read the ambian light first and proceed from there.

The strobe gets set to TTL because if you shoot on shutter priority, then you'll always be shooting wide open. You want to use a strobe to fill in the shadows on someone's face even if there's a lot of light. You can see this again and again with so many failed portrait shots we've all done in our lives.

We then moved onto Infrared remote controls which apparently don't work as well in bright sunlight and pocket wizards, which gives you a lot more flexibility. If money isn't an issue, go for the Pocket Wizards TT5s, because they can be used as both a transmitter and a receiver. (here's the one for Canon and here's the one for Nikon).   

We tested out different light modifiers, using grip equipment, adding colors to images using Rogue's photographic gels and something they also make called a Rogue Grid Set. Frankly, next to the Rogue Flashbenders (they come in small and large sizes), I thought the Grid set was the coolest thing I used all day. 

The Grid set also reduces light or rather diffuses it. It features stacking honeycomb grids that provide 16 degree, 25 degree, and 45 degree spot lighting control.

This means that photographers can choose among three different size grid spots using this small, lightweight system. Love love love it.

Since I didn't have much time with the product during the seminar, what I'm most eager to try in more depth is the use of the color gels inside the grid and testing them out in both indoor and outdoor settings (notice the purple one inside the grid in the photo -- more after I have had a chance to try it out).

Remember that I travel a lot, so bags need to get packed and moved frequently from place to place, so it's important for me that my equipment is flexible, small and lightweight. It also has to solve a problem I have often when I shoot.

Bringing along a flash isn't a high priority at the best of times, since I often end up with additional glare, shiny foreheads and harsh effects on people's faces. Flashbenders diffuse the harshness in a similar way that photo softboxes do however they're smaller in size and faster to set up. (this is key for me). And, while I may have the time to set up a reflector (California Sunbounce model is a decent one), more often than not, I won't have time to fuss. That said, I do have a reflector (the Calumet model), since they're useful to have on hand for a studio shoot and when you have more time.

If you have the space, the money and the time to fuss, then you'd probably want a Dynalite in your collection, but know that it takes a little training to use them effectively and they're over $1K to purchase. If you're going to do more studio shooting on a regular basis however, then I'd encourage you to check them out. (we got some pretty fabulous results using one in the Calumet studio, which is where the workshop was held).

Of course if you're Rick, you're used to carrying things around and sometimes in this business, a reflector just becomes a natural extension of you from time-to-time.

Below, we are practicing shooting on the set we created for testing out various lighting methods.

And seeing different effects using beauty dishes, Calumet Softboxes versus the California Sunbounce model, versus something as simple and minor as adding some black cinefoil into the process. 

Matte Black Cinefoil is essentially nothing more than a matte black aluminum material that virtually soaks up light. It is ideal for masking light leaks and/or eliminating unwanted reflections and can also be molded to form barndoors, flags and other configurations.  

You can of course overdue it with the colored gels but a girl has gotta play until she figures out exactly what kind of effect she ultimately wants to end up with...

Other small photo toys that can assist in the process are the ExpoImaging ExpoDisc which helps analyze color, and the X-Rite Color Checker Passport.

I love Sepia, antique black and white and every variation in between, but if you're going to go dreamy and soft, you may as well add a tint of color.

Photo walk anyone? Our days were perfect.

Below is our team photo, the one we created on the fly after a little imagination and modification. Since we were in San Francisco's Mission district, adding a l'il graffiti backdrop seemed like the right thing to do which means that we required a lot less time to get the lighting perfect than the "Vermont" class who chose the inside of a New England barn for their shot.

If it doesn't look like we're having fun, then look again!

Above group shot by Rick Friedman. For more info on his workshops, check out his site and Facebook page.

TEDxSummit in Qatar's Doha Brings Together Nearly 100 Cultures to Accelerate Change & Meaning

I recently came back from Doha Qatar, where I attended a week-long event exclusively for TEDx organizers.

The first TEDxSummit was hosted by the Doha Film Institute at the Katara Cultural Center aka the Katara Valley of Cultures. The "village" is a bit like a sprawling outdoor convention center that houses an ampitheatre, tents and domes where you can see live concerts and events.

Katara was born out of a long held vision to position the State of Qatar as a cultural lighthouse of art if you will, highlighting the best of theatre, literature, music and visual art in the Middle East. It sits along the water, so you can watch boats sail by and a sunrise in the early evening off in the distance while you take in your event, whether it be performing arts or meetings, or in our case, a mishmash of both. 

Before arriving, I wasn't sure what to expect, from the kinds of content they'd choose to why Qatar and what is Qatar? Refer to my numerous posts on Qatar including a write-up on the Arab Museum of Modern Art, images of the impressive Museum of Islamic Art, a display of work from renowned Chinese artist Cai Guo Qiang and the over-the-top Murakami Ego exhibit.

What is Qatar is probably the most mind blowing takeaway from the event as you'll see from my write-ups. At first, it didn't make sense why we were having an event in such a remote place, a country barely known to so many and yet, after returning from the Summit, the location makes perfect sense.

Given that the Summit attracted TEDsters from nearly a hundred countries around the world, it is in fact a fairly central location, though obviously a longer haul for those of us on the American west coast. And, given the diversity of the attendees, Qatar, which rather than having hundreds of years of history and cultural references, really only started to make its marks a few decades ago.

In other words, its a country in search of an identity as demonstrated by the volume of new immigrants pouring in to tap into Qatar's exploding economic growth...less a land of local Qataris and more a land of transplants from Jordan, Oman, Saudi Arabia, Pakistan, Lebanon, the list goes on.

And, let's not forget other stats: 75% of those living in Doha and surrounding area are expats/foreign nationals. Doha is preparing for its growing global interest; the city is about as modern as it gets with highrises going up faster than Las Vegas hotels in its prime.

The other reason Qatar makes sense as a location, is that so few of us in the west know "enough" about the Middle East, particularly the complexities of Islam and the culture that goes along with it. Understanding Qatar helps you understand the rest of the region.

Through greater understanding comes compassion, empathy, tolerance, gratitude and a willingness to not just expand your horizons and knowledge base, but reach out and help in whatever way makes sense. This, by the way, is integral to what TED at its core is about. 

And so, we all embarked on soil that is new, yet old, to discuss ways we can help each other, sharing best practices, what works and what doesn't.

Some of the sessions included: How to Write About Your Speakers, Sponsorships, Keeping Your Event Sustainable, Social Media Strategies, Building Salons, Blogging, Making Change with Corporate Events, Capturing Great Photo Content, Planning, Stage & Production Tips, Branding, Livestreaming, Working with Tight Budgets and more.

Clearly it made sense for teams from specific regions to pow-wow with each other. Wwe had breakout sessions in large tents in the middle of the desert broken out by parts of the world, i.e., Eastern Europe, Australia, Central America and in the states, it was broken down even further (northern California, Midwest and so on).  

Below are ketchnotes of one of the TEDxSummit sessions from C. Todd Lombardo, organizer of TEDxSomerville in the greater Boston area.

While meeting by region helps each group share resources, and even space for meetings, its amazing how much you can learn from organizers in parts of the world that have nothing in common with your own. This is separate of course from what you learned from locals who happened to be hanging out or 'working the event' -- in the middle of the desert.

For example, storytelling on stage is very different at a small event in West Africa, yet what is so natural in a village is often missing from a large TEDx stage that may resort to Powerpoint and a speaker's 20 years of experience and knowledge. The opposite applies too of course; there are clearly things from larger events that small towns can use to expand their presence and brand awareness. In other words: borrow from the formal for the informal and take the informal into the formal and make magic happen by blending the best of both together.

The other surprise for me was the whole concept of "you don't know what you don't know and you don't know who you don't know." I didn't even know all the organizers in my own region (greater Bay Area), nor did I know the depth of where TEDx events had spread.

For example, while the events are largely by geography, there are a few that are connected to brands/companies, universities and other institutions. Did you know that there's a TEDxHouses of Parliament? This isn't just fascinating data - this is revolutionary. Consider the kinds of conversations they have already had and will evolve as a result of this kind of "new" organization and collaboration.

Bringing everyone together to share, collaborate and execute on ideas around the world is brilliant. Let's not forget the 'healing' and compassion that comes as a result of greater understanding, which inevitably comes from bringing such a global audience together in one place.

Well done and hats off to Bruno Giussani, Chris Anderson, Lara Stein, and the NY & Doha teams for turning another great idea into a reality.

Some of the Speaker and Presentation Highlights include:

• 'The Human Arabesque' opening night video sourced inspiration from Doha's Museum of Islamic Art. The team researched traditional arabesque patterns in a quest to incorporate regional culture to create a moving, human sculpture representing the transformative power of x.
• Futurist Juan Enriquez has always been a long time favorite of mine. He contends that science and technology are leading us rapidly towards the next "human species." See excelvm.com.
• Vinay Venkatraman, who is a founding partner at the Copenhagen Institute of Interaction Design, has developed an alternative vision to creating a more inclusive world through a design concept he refers to as 'Frugal Digital.'
• TED Senior Fellow Cesar Harada demonstrated a bold new design for a sailing craft with a flexible rudder -- on both ends. Called 'Protei,' the robot is designed to sense and clean up oceans.

• I loved Shereen El Fedi's talk on how bad laws fuel and good laws fight HIV. Chart after chart, example after example, she demonstrated her point. Check out their work at HIV Law Commission.
• Amit Sood wowed the crowd with an incredibly impressive demo of the Google Art Project. They have collected and curated the world's greatest art, from museums and beyond, onto the web, making it as easy to access your favorite piece of work or view art you've never heard of or are likely never to see in person. You can even search by sub-category, by typing in for example, red and Picasso for everything that Picasso did in red. There are other filters as well that could keep you glued to this site for hours if not days.
• Rives, who many of us know as a renowned poet, has given awe-inspiring performances on the TED stage before. In Doha, he took us a journey of factoids using his poetic tongue. Bouncing from site to site, we learned about some of the most trivial and not so trivial knowledge on the web, ranging from culture and politics to insects and sex.
• With passion and energy, Indian artist Raghava KK argued why everyone should have a 200-year plan.
• Rare book scholar William Noel fascinated the audience with his research. Using a particle accelerator to read ancient works, he took us on a journey from start to finish. He's a huge believer in open-source and open-data and he and his team are making their work open to others (aka the web of ancient manuscripts).
• Comedian Maz Jobrani intertwined humor with local culture and events. You have depth as a comedian when you can stand on a stage in Qatar and have Americans, Lebanese, Saudi Arabians, Qataris, Scandinavians, Japanese and Aussies all laughing at the same time. He's known for his work on the 'Axis of Evil Comedy Tour,' which traveled around the world, including the Middle East.

• National Food Security Programme chairman Fahad Bin Mohammed Al-Attiya educated me most about where Qatar was a hundred years ago versus where it is today and where's its heading. They're working on a Master Plan, using Qatar, which only has two days of water supply, as a model for sustainable, environmentally friendly agriculture in arid regions.
• Yahay Alabdeli who curates TEDxBaghdad created a lot of teary eyed attendees with his story about how he traveled back to Iraq after 34 years to create an event that pulled not just locals but others who had left Iraq but returned specifically for his event. As you can imagine, it was much more than a reunion. He went through a number of obstacles to make it happen, so it seems perfect that his event theme was: "Making the Impossible Possible."

• One of my old time favorites Hans Rosling returned to the TED stage, bringing humor to sex, religion and data once again. What was even more fascinating was having his global trends in health and economics from every country in the world presented in a place where we had representation by nearly every region in the world. All of his talks exude one of his sweetest talents - his dry humor and quirkiness. Beyond the quirkiness he shows in his professional life, which adds to the power of his talks, let's not forget that the man swallows swords for kicks in his spare time. What's not to adore about Hans? (see a video interview with Hans at the Summit here - he uses legos, rocks and humor that reveals deep insight in typical Hans-style).

Because the event was an International Summit where best practices and learning beyond "talks" were a big part of the agenda, the highlights that will inevitably be glued to people's minds and hearts include the experiencial activities.

Below is a brainstorming session in a tent set up in the desert dunes, roughly an hour and a half south of Doha.

TEDx-ers formed a TEDx in the middle of the sand dunes while others filmed from above:

 

There was dune bashing, also in the south of the country.

 

And, kayacking among mangroves in the north, after which we were guests in the home of a local man, who fed us well and shared some of his photos and life experiences:

 

A visit to the Al-Zubara Fort:

A boat tour along the water:

 The incredibly breathtaking Islam Museum of Art:

Education City has representation from some of the top schools, including Carnegie Mellon University, Cornell University’s Weill Cornell Medical College, Georgetown University School of Foreign Service, Northwestern University, and others, with a goal to grow Qatar's knowledge base, making it an attractive place to visit and work in the future. 

Below, Weill Cornell Medical College in Qatar Weill Cornell.

Below is a shot taken at one of the cafes in the Souq Waqif one night (we ended up in the Souq several evenings). Despite the fact that the Souq doesn't serve alcohol, it was a great place to hang out, socialize, shop, drink coffee and eat fabulous local food.

 

Desert Day in the South. Of course, it wouldn't be desert day without an opportunity to catch a ride on a camel:

A casual shot of TEDx organizers in the desert...

Then there was the late afternoon drumming session, which frankly, I can never get 'enough of...'.

A music jam session in one of the main tents - small but intimate and full of great TEDx talent:

18-year old Jordanian pianist Sima Sirriyeh, who composes her own pieces played for us on the main stage.

Opening night, they danced and sang. And then, danced and sang some more.

We took in the best of the local culture and greater Doha through visits to Souq Faqif, the Arab Museum of Modern Art, and the Cai Guo Qiang and Murakami Ego exhibitions. Also check out Doha's Centre for Media Freedom.Late nights were spent in the hotel bars where we stayed: The W and Kempinski Hotels. 

Photo Credits:

• Katara Village, Fort, Boat, Landscape City Shots, Brainstorm session, Hands, Anderson, Dunes, TedxStage Shot1: Javier Junes
• Yahay Alabdeli, Cesar Harada, Inside Museum of Islamic Art: Duncan Davidson
• Group shot in dunes: taken on my camera by a TEDx-er
• North site visit for lunch, middle of desert scene, Hans sword shot from a previous event, casual desert day shot, camel close up, Souq, Maz Jobrani, opening night, drumming circle, jam session in tent after hours, Sima Sirriyeh: Renee Blodgett
• Education City Weill Cornell University shot - website.  

Meet Volta, Home of Irish & Worldwide Independent Cinema Online

Volta is the home of Irish and worldwide independent cinema online.

A little history and background is in order for how it got 'its' name. Volta was the name given to the first cinema in Ireland opened by James Joyce in 1909. Over 100 years later, the Volta name remains synonymous with the best of independent Irish and International film. 

Today, for anyone interested in independent film and creativity, Volta is a great companion (a non-subscription companion that is) where you can rent or buy top independent titles and interesting and intelligent articles. They are developing the market for "on-demand" film in Ireland. 

Obstacles for getting this to expand as fast as they'd like include the obvious ones that nearly every country faces: broadband proliferation outside Dublin and another major cities. That said, there's a huge appetite for cinema in Ireland according to Tom Lawlor who heads up their marketing efforts. He says, "on a per capita basis, the Irish go to the cinema more often than any other European country. There's a hunger, especially for Irish theatre."

Since they're not subscription based, they don't compete with the likes of Netflix, a service albeit useful and popular, releases films a year later or more. Volta is focusing their efforts on "on-demand" independent film. As for how fast they'll grow and whether they'll expand beyond Ireland?

Right now, they're focusing their energy on the Irish market. "We don't see ourselves as a start-up because we're part of a large film company," says Tom. Volta has been developed for the Irish market by Element Pictures as part of the Universcine network.

The goal in the next few years is to increase the number of devices where people can access content, i.e., Android, iPads, connected TVs and so on.

They're also exploring the "social movie watching" concept, i.e., a social channel where people can watch films together and share comments in real time or after viewing. Coming soon is a Facebook player where you'll be able to choose a film, making notes while you're watching it if you choose or later on, if you want to "gift it" it share it with others. Social content is obviously a driver of traffic so it's only logical given the "engagement" aspect of it. 

How Volta Now Works: 

Simply go to their site and choose a film, which you can do a number of different ways: by genre, by director, by year, by actor, by keyword, by title and even by country if you want to explore. My first "gut" inclination was to search by keyword, but perhaps that's because I live amongst social media geeks in Silicon Valley. My guess is that my sister would search by genre. If you're local and familar with the players, it makes sense that you'd want to search by actor or director.

You can also discover what’s available by following recommendations of Volta's editorial team or by browsing the catalogue randomly, independent from the specific search criteria as noted above. 

Once you've made your selection, you simply click on “Rent” (to rent the film for 48 hours) or “Buy” (to download the film to own).I chose "Dance" in my selection since I love everything related to dance and had a choice of how I wanted to view a 'dance' film called Red Satin (great name, non?)

If you go the "rental" option, you have two ways to watch your rented film – by streaming or by download. A film can be streamed by both Mac and PC users but the download option is only available to PC users for now. When you purchase a film to own, you must fully download the film to your computer. 

Another thing I love about their site is the ability to read up on various films and updates about the film world. The UI is easy-to-use and quick-to-access; headlines are chunked in boxes on one page, much simpler than many of the newer but quirky and creative blog formats. This section combines a "blogging format" with a catelogue style of viewing, which makes it useful for quick access and catch-ups.

Lastly, and this is something I learned through a little research and a conversation with Tom and a few others. Ever hear of Section 481? Unless you're Irish or perhaps European and in the world of Film and Television, there's no reason why you would have.

Section 481 is the Irish tax incentive for Film and Television made in Ireland. Projects can derive benefit of up to 28% of their qualifying expenditure and this incentive is guaranteed to folks in this space until December 2015. There is a ceiling on each project of money that can be raised (E50m), but for independent film makers, that is a pretty healthy incentive.

If you're a foreign producer and many people who will stumble upon this blog post will likely be from outside the country, you can tap into some of these benefits by teaming up with a local Irish co-producer. More information can be found on the Irish Film Board site and more information on how to discover new "Irish" cinema and talent, check out Volta to learn more.

Kavaleer: A FORCE Behind Animation, Short Films, TV Series, Design & Interactive

I first met Andrew Kavanagh during a trip to Dublin a couple of years ago. Introduced to me as someone "interesting to know and meet" because I expressed an interest in arts and culture and write about it regularly, I was pleasantly surprised to discover an expansive world of expertise which unfolded as a result of a one-time "pub" meeting.

He drew an impressive animation sketch for me in some Irish pub way back when and so it comes to pass that Andrew is a huge creative force behind Kavaleer Productions, a well known, savvy and talented studio group, who have created a top notch reputation in the film, design, interactive, animation and television space around the globe.

We had the fortune of spending time together in Austin recently so I could learn about their latest updates. While most known for their creation of award–winning film and television projects, Kavaleer also creates animation, interactive and design services. Aside from creating their own TV shows, where they have been twice nominated for an Irish Film and Television Award and a British Animation Award, their film work has been selected by over 100 international festivals over the past ten years. Impressive, non?  

Interactive has been increasingly playing a major role which is no surprise given what is having on the investment front in Silicon Valley, LA, London and beyond. Kavaleer is also a seasoned provider of interactive content and apps for the e-learning and games sector; no surprise given what's happening in the games industry recently.

In 2009 alone, Interactive services accounted for half of their turnover, so much so that they started developing their own apps in 2011. They have also developed a reputation for their e-learning work, a portfolio of apps that range from Sesame Street workshops (Elmo ABCs) to Disney and the e-entertainment world. 

While these guys may be based in Ireland, their work is known globally. They continue to work closely with HMH on their Destination Math, Fusion Science and Texas Language Arts programs and have been providing San Francisco-based Playfirst Games with content for their hit iPhone /iPad based‘DASH’ games for the past year.

Kavaleer also produced an accessibility game for South Dublin County Council ‘Jobot’s Access All Areas’ which was shortlisted for a Chambers Ireland Excellence in Local Government Award.   

They're not shy about short film production either. Some of their latest results include the following "shorts."

In addition to film "shorts" and the fact that they're known for their work with Sesame Street on the TV side, they're also behind other TV series including: Bed Heads, theAbadas! (the adventures of Hari the Hippo, Seren the Bat and Ela the Fox), Garth & Bev (time-traveling siblings Garth and Bev live in harmony with nature in a village), Lifeboat Luke, which is set in and around the small seaside community of Donaghadoo, and So Mortified. 

They've been around for ten years yet because their creative work is "so behind the scenes," many not be aware of their studio name or their incredible work. While Kavaleer has awards behind their name and a global reputation, Ireland has no shortage of talent in this space.

While many know Ireland to be a country of storytellers, I wonder how many realize its rich history in cinema, television, mobile, games and film. Ireland's animation and digital media sectors are growing both in size and reputation around the globe. For example, Brown Bag Films animated short, Granny O'Grimm's Sleeping Beauty, and Cartoon Saloon's animated feature film, The Secret of Kells, both secured Oscar-nominations in 2010. For more on Kavaleer, check out their work and blog. For more on Irish screen producers, take a meander here and for general information on the Irish Film Board, visit their site for more details.

Austin's Scene & #SXSW in a Nutshell: My Summary of Sorts...

SXSW aka South-by-Southwest, the event that takes a week of my time every year in Austin, Texas, seems to get bigger and bigger every March, not to mention more global.

Refer to my blog write-up on its international diversity here.  

For example, Ireland had the most number of start-ups they've ever had at SXSW (30 in total representing film and interactive).

Below are the Enterprise Ireland folks with Storyful founder Mark Little.

Singapore, Great Britain, Spain (primarily music), Japan and Canada also tried to make sure attendees knew they were taking this space seriously.

Also in my international blog post, I covered the sheer volume of brands who had tents (Nokia, Microsoft and others), threw parties (HP, Pepsico and others...I lost track) or carted folks around town (Chevy).

On the interactive side, there was so much activity between the dozens and dozens of panels to the after parties, all of which I couldn't keep up with despite my social media apps buzzing me every ten seconds to tell me what was happening and where. Foursquare remained a popular app for check-ins and to see where your buds were - that said, the private parties were off the grid and frankly, had to be, for the intimacy of the "old SXSW" to prevail, a necessary for those of us who have been going for a decade (or more).

Speaking of Foursquare, they had a private bash where the security was so intense that a friend of mine got 'bounced' before he even made it up the stairs despite the fact that he was buds with 80% of the attendees. "Kids" (early 20-something year old geeks, marketers and wanna-bes) seemed to be clamoring to get elbow time with Dennis Crowley and get into events like this all over town and frankly, it was just not worth the fight, even the ones where I was on the VIP list, because VIP list or not, the lines and wall-to-wall rooms were still maddening.

Some late nights, I retreated to The Driskell which has become a little too crowded as well, but at the very least, you're likely to run into some industry buds who are more in the mood for a quiet drink amidst moose and deer on the wall and antiquated brass and iron statues that mesh the culture of Texas with England somewhere along the way.

The below was taken on my iPhone at some random 3 am hour in the Driskell lobby.

Other nights, after the official invitations of music, film and interactive wore me out, taking in a dive bar where you could take in some off-the-beaten path music was the way to go.

TED decided to have a 'showing' at SXSW this year (aka TED@SXSW) and blocked off a couple of hours two evenings in a row for speakers in a private room at The Driskell. The line-up included folks like TED Fellow Jose Gomez-Marquez, JP Rangaswami, Ayah Bdeir, Paul D. Miller (DJ Spooky), Ping Fu, Baratunde Thurston (who always has me in stiches), Steve Daniels and others.

Film...so many great ones! I wrote about a number of them earlier in the week, which you can scroll through in the Arts/Austin section here. So many worth listing but since I tend to cover things from a global and international perspective, a few call-outs worth noting include: Sunset Strip, The Taiwan Oyster, Bay of All Saints, Eden, The Black Balloon, Trash Dance, Wonder Women and a handful of others. (see the list of winners for 2012 here). Also see our Scottish Films overview here and Israel at SXSW here.

Songster from Mowgli, the first music-creation social fame on Facebook launched at SXSW this year. CEO Marshall Seese, Jr. came to the table with a recording artist background and says their design is with "everyone’s inner rockstar in mind."

Players follow the compelling storyline of a fledging musician working their way up through the ranks of the music industry. From playing gigs at frat houses and proms, to launching a worldwide arena tour, players can make great music, while allowing their creativity to take them through all levels of the game.  

I tweeted up a storm about the on-stage love for Google+ with Vic Gundotra, which was more of an informercial than it was a fireside chat. If he used the word "amazing" one more time, I thought, even the newbies who are eating this up, would have to see through Google's sugar coating. Hey, I'm a Google+ user, not a prolific one, but I'm on the system and giving them tons of my data and creative energy just like I am to Facebook without a whole lotta benefit (yet). 

I'm not saying what they're trying to do isn't useful or great online canvas for photographers to share their work or industry celebs like Guy Kawasaki and Robert Scoble to up their social status without even trying to, but for mainstream folks, it's just not there yet. (not in this cats humble opinion anyway). Just saying - I had enuf with "amazing this and amazing that" after the first 15 minutes.

Kelly Carlin performed again in a breakout room in the main convention hall and although I've seen her before and like her energy (I totally resonated with the 1970s family TV and dysfunctional family of the 1960s jokes), there was something that put me off slightly about her stint and I couldn't figure it out until near the end.  

For those of you who don't know the Carlin name, she's the daughter of iconoclastic comedian George Carlin. As a one woman show, she uses storytelling, classic video footage, and family memorabilia, to chronicle over forty years of her life with her famous father.

While she's amusing and gives us countless insights into George, it f-g feels like its all about George. I'm thinking as someone who's only slightly younger than Kelly and had a lot of the same reference points, what about YOU? I'd love to hear more about YOU!

I walked away still not knowing and it was the second time I saw her perform. I just felt that using her dad as a vehicle for her 'show' and 'persona' may have perhaps run its course and what I really wanted to hear was her voice without Dad in the background (or at the very least so prevalent) so I could better learn who SHE was as an artist and more importantly, as a person.

Who didn't have an event? On the music front, B and C listers were all there, Bruce was there, Gary Vee called all wine afficiandos to a so called 'private' venue immediately next to another so called 'private' party I was at and the line was ten miles long by the time I walked outside. Really? Is that really the way to engage with folks? A great way to get SXSW publicity so from that perspective, stints like that really work, but they're far from "real" or intimate. I just wanted to say 'hey' without a thousand pushes and shoves. For the record.

The XPrize folks also held an event and it was invite only and really felt like "invite only." Not a publicity 'stunt' in any way, everyone I met was top notch and showed up because they had a vested interest or cared about the kinds of things they cared about. Quality conversations where people weren't looking at their watch or Foursquare check-ins to see where the coolest cats were hanging next next. A welcome relief.

If you're not famliar with their work, go here: their mission is to bring about radical breakthroughs for the benefit of humanity. Below, an XPrize team shot: (I love these guys and btw, Peter Diamandis has a new book out entitled Abundance).

My favorite part of SXSW of course is the randomness of meetings at film and music more than interactive, for at the former, there still seems to be more spontenaity, largely I think because of mutual passions rather than a race for check-ins or being 'seen' at the right party and telling the whole world about it on Foursquare, Facebook, Google+, Twitter, yadda yadda yadda.

I'm not saying that politics and social klout doesn't run rampant in the film and music world, but passion for the 'art' still stands tall.....maybe not dominant in Hollywood, but at SXSW.

As for the social bit...of course I tweet at these events. I'm in the biz - who doesn't, but the feeds at SXSW are so much about where I'm at and who I'm hanging out with than providing value. It's hard to tell the difference anymore, and sometimes I even get confused by why I do what I do on social media even when my intensions are pure. The addictive nature of it all just 'ain't all that healthy' in my opinion. I have talked about this before but can't emphasize it enough.

Onward.

The blogger lounge is on the top floor where it always is, around the corner from the press lounge, which had massages this year. The blogger lounge has occasional 'acts' and social media gurus of sorts popping in and out. (a little red badge gets you into it if you're a blogger).

This was more of a 'center' in previous years, but today, less so. It doesn't mean you can't still show up and meet up with old buds, converse with folks in the biz you haven't seen in awhile or folks you still haven't met, but things are so spread out and there's so much 'more' grabbing our attention that "hanging out" in the blogger lounge seem to be few and far between.

That said, t'was great to catch up albeit short with industry pals like C.C. Chapman, Julien Smith, Liz Strauss, Hugh MacLeod who has a new book out entitled: Freedom is Blogging in your Underwear.

Below: Renee Blodgett, Angel Djambazov, Liz Strauss, Hugh MacLeod

Then there are a hundred or so other folks I'll keep under the radar, except for of course Jeff Pulver & crew who co-hosted a great 140Conf party (if you haven't been to their events, check 'em out), with the textPlus folks. (never enuf time Mademoiselle Heather Meeker).

Below is a snap from the Nokia Innovation Lab, a massive tent set up a few blocks from the convention center, that housed more than fake snow as you entered.

While travel wasn't a big representation at SXSW and I was struggling to find serious foodies, some of the usual suspects were hanging about.  American Airlines had a down-to-earth event with fabulous peeps (closer to town or IN town next time PLEASE :-). 

To the left (lighting wasn't great) is American's head of Mobile products Phil Easter talking about their latest and demoing some nifty stuff on an iPad that we can't quite talk about yet. Exciting stuff! Other call-outs worth mentioning are Stacey Frantz (corp comm), Dawn Turner (Entertainment Marketing), and Jonathan Pierce & Jon Bird (social media & video), among a handful of others.

Angiers France came out in force with a very creative booth, full of color, energy and design. (yarn, that is).

The photo to the right has a combination of woven yarn, paint, and wire among other materials.

While the booth was creative and the Canadians fed us French toast, strawberries and homemade maple syrup, the Irish shamrock tattoos that Enterprise Ireland dished out had to be my favorite giveaway. (Sure, I'm biased but it's the truth). A lot more fun than pens, pads, stickers, drives and balloons. 

The Cool Sculping guys who were parading around town for days, tried to demonstrate that 'getting naked' can be a positive thing if you own one of their "suits."

.

The below very 'blurry" image of pianist Eric Lewis, a favorite 'musical' experience by TEDsters who saw him perform a few years back in Long Beach, was taken at a Mashery Party at Sandra Bullock's Austin restaurant. The "blurr" gives you an idea of his energy and personality, therefore is untouched. It's "Eric" in every way. The party was of the classier events held at SXSW this year. Well done Oren!

 

Attacked by the Scottish on the show floor? Hardly but it's hard to resist men in kilts: Me with Ewan Spence and Tam Coyle. (notice the l'il Irish shamock on my hand. Wonder if they did? :-)

Below dana Boyd with Baratunde Thurston on the Fast Company FLUX Generation panel.

As always, Blumberg Capital held an incredible meet-up for their start-up companies & friends. Flow, drinks, conversation, networking was top notch. Well done to David and his team.

The below is a l'il local bar and street scene music action, albeit blurry...blurry is in some ways more 'suitable' for SXSW, despite the fact that I had my Canon 7D and 2 good lenses with me.  

Two fun 'street scenes' very late at night. Or morning. Or whatever.

There was also an interesting demo on the show floor of Vinyl Recorder T-560 -- analog stereo recording on 5", 7", 10" and 12". A pricey option but for serious audiofiles, an option? The 7-560 starter set includes a stereo clutterhead fuse, heated diamond stylus, 19" main unit with RIAA encoder, groove controller and stylus heating regulation mono microscope, a lamp and all cables and adapters. The price? E3,200 (yes, that's Euros).

The week can be a bit exhausting (okay, very) even when you're not trying to race from event to event. Below is a taste of just a day and a half and a few of these bands fell off. And, all the film stuff was equally thick hanging around my neck.

As a complete aside and for kicks, refer to my insanely hard-to-follow post on "how to stay healthy" in Austin during SXSW if you have the strength to avoid all the free beer and Texas ribs.

TEDxBerkeley 2012's Inspiring Innovation Merges Magic, BioData & Technology With Film, Oceans & Plants

Most people in my circles know what a TEDx event is but for those of you who don't, it is a local, self organized event that bring people together to share a TED-like experience, in the spirit of ideas worth spreading.

This video gives you an idea of what these non-profit events are like, which extend far beyond Berkeley. Cities around the world are organizing TEDx events, with a goal to teach, share, collaborate, educate, faciliate and grow. Ideas worth spreading means that some of these ideas can revolutionize (and have revolutionized) the world because of a new relationship or partnership that has evolved as a result of the wider distribution of these ideas and the courage and dedication of people behind making the 'magic' happen.

It's the second year I've been involved as co-curator of TEDxBerkeley, an event held at Berkeley's Zellerbach Hall every February. In attendance were well over 1,000 people from a broad range of disciplines and minds - from academic, music and science to medicine, technology and the arts.

15 ground-breaking thinkers, leaders and performers entertained and educated the audience through storytelling, performance and anecdotes from their life experiences.

Given that UC Berkeley is involved, so were some of the professors and students, including the opening act by DeCadence (pronounced dee-KAY-dence, with a capital ‘C’), a vocalist group that sports eye-catching blue and gold capes and creative dance moves at nearly every performance.

The musician in me couldn't help but call out music brilliance first and while we're on the topic of incredible voices, Charles Holt stole the stage with his storytelling and singing of "He Lives in You," my favorite Lion King number.  

He had me at "go" is an understatement, largely because of his intuitive nature, the fact that he lives his life through that intuitive lense and his witty and incredibly honest stories of his mother and grandmother from the south, which will leave you crying and laughing at the same time.

From music to dance, Jodi Lomask then awed us through her dance troupe. Known for her work with an organization she founded called Capacitor 15 years ago, she works with world-renowned research scientists to create original dance works that draw attention to critical environmental issues. 

I think about people I know who spend their life committed to understanding oceans and I think about the moment it was for me that I got one step closer: deep sea diving off the coast of Australia some 60 or so feet below the surface. In that world, that remarkable world, you truly understand the beauty of a world we need to cherish and preserve.

Her dancers showed us that beauty through a combination of violin, dance movements in and outside of rings in somewhat of a Cirque du Soleil style and environmental videos, all creating an outer world exerience for us to share.

One of my favorite moments of the performance is below...the intertwining of minds, hearts and bodies.

Also involved in conservation and the environment was Dr. Maria Fadiman who I had the pleasure of setting up with a new Twitter account (social media will get us all, the deep hidden voice says, lurking in the background), is a fascinating combination of geologist, comedian, nature lover and ethnobotanist, her work focuses on the relationship between people and plants.

From South Florida, her style was very informal for an academic crowd yet had people laughing as she pounced onto the stage with a machete in hand, telling one humorous story after another of her time in the jungle, the majority of her time spent in the rainforests of Latin America.

She has worked with Tibetan children in teaching them to record their own ethnobotanical traditions and is currently working on a global scale cross cultural study of people’s use of a cultural keystone species (the flora and fauna that are deemed important to the survival of a culture), and how these plants can act as larger ecosystem preservation incentives.

AutoDesk's CEO Carl Bass walked us through five trends of innovation, using Kickstarter and Moon Express one example of companies doing something extremely unusual. 

Digital fabrication is where you change the rules about how things are made, referencing 3D printers, showing us examples of various things which can be printed into a variety of materials, including rubber, plastic and metal.

It's amazing what can be printed on a 3D printer now...I ran into BitTorrent's Bram Cohen at SF Music Tech who showed me a very interesting 3D ring he was wearing on his finger. Additionally, imagine 3D buildings and even a 3D-printed human kidney. 

We also heard about the rise of information, aka the wisdom of the crowds and the wisdom of the 'cloud.' Not only are we all becoming creators in our own way on our own personal platforms, but we're becoming curators as well.  

Then, ARZU's Connie Duckworth, who took the stage in vibrant red, focused on international development sharing things learned from her work in Afghanistan. She says of the current state of international development:

• The international development industry is dysfunctional.
• Big money brings big unintended consequences.
• Hope can’t thrive in the world’s worse places.

She believes that we have an urgent call to change the structure of the international development industry, which holds in its hands the lives of billions of people at the bottom of the pyramid.

Their thinking is that somehow inherently flawed short term thinking will move into sustainable systems. Big money when not hosed in the right direction can create a lot of chaos. She asserts that its a key reason that so many people lose so much faith in their government.

She refers to another unintended consequence of big money going to the wrong places: Brain Tilt, which is when the most highly educated local people (engineers, professors, doctors), all end up working for expats in low level positions. Local smart people are working as drivers and clerks rather than working in higher level positions because they can get paid so much more in the other positions.

Connie defines the quest for peace as security. “We all see the world through our own lens of experience, so for me, success all starts with a job. This is how people start with a way to solve those basic level needs, such as the ability to eat and feed their family.”  She encouraged the audience not to just sit back and want peace, but believe in it and take action.

We went on a gratitude journey with Nipun Nehta of Service Space who asked us how we could all have more "Gif-tiv-ism" in the world?

Rather than focus on money, we wanted to focus on giving, in other words, the idea of unleashing the power of compassion capital. “Once you unleash compassion,” he says, it’s amazing what happens. “Stay focused on adding value and discovered untapped capital.”

When small acts of giftivism get connected and activated, it rekindles a gift economy. A gift culture, he says, is marked by four key shifts:

• Shift from Consumption to Contribution – Instead of asking “what can I get,” open with “What can I give?” He says if you open each door with a different question, about what can you give, it changes the entire dynamics.  
• Shift from Transaction to Trust: Build synergy. He refers to Karma Kitchen, a restaurant in Berkeley, where you pay for the people ahead of you or behind you rather than for your own bill. 26,000 meals so far and  people continue to pay it forward.
• Shift from Isolation to Community: it is not enough that we connect, but rather how we connect.  When you serve other people together, you create a network of ‘gift ties.’
• Shift from Scarcity to Abundance: Cultivate inner transformation to arrive at enough. “There is enough for everyone’s need but not enough for everyone’s greed.” 

Hear hear Nipun. From gift economies, we shifted to Gopi Kallayil from Google who talked about the power of social and a connected world, particularly during the 18 days of the Egyptian protests, showing us a video where Desmond Tutu is talking to the Dalai Lama on Google+, a clip which has now been watched 2 million times. This is a great example of how social media is driving innovation around the world. 

We saw examples from Libya and Kenya to South Africa and Egypt, where during the protests, they were able to express how they really felt and more importantly, people were able to listen to those words on YouTube and other platforms. They sang, “the most important thing is our right and writing our history with our blood – if you were one of us, better not blabber and tell us to go away and leave our dream and stop saying the word “I”. In every street in my country, the sound of freedom is calling. In every street in my country, the sound of freedom is calling.” Powerful stuff.  

From the vantage point of healthcare, intuition and communications, Dr. Neha Sangwan encourages everyone to be proud of yourself for "listening to yourself." Often, listening to ourself comes second to listening to opinions of others, whether they be friends and family or a doctor we're seeing for a particular issue.

She asks, "what if communication is the cure that we're missing? What is the way we talk to ourselves & whether we choose to lean into our discomfort & show up in the world? What is this is the prescription for health long before I need to write you a prescription?"

Her talk was highly emotional as she brought us a journey around the world to the Middle East, where she spoke to women, sharing with us insights she learned about their world, their pride and in turn, what we can learn from them in the western world.

A professor at Berkeley, Ken Goldberg who closed the talks, on nothing other than robots. Yes, robots...and what we can learn from them. As someone who worked in speech recognition for years and did a project for the Willow Garage guys (I love PR2 and even danced with one), I was eager to hear his insights.

Ken thinks robots can inspire us and that we have a lot to learn from them. Some of those insights from various projects over the years include: always question assumptions. It's amazing how quick we are to turn to other people's assumptions and make decisions based on them without digging deeper. Secondly, when in doubt, improvise.

I couldn't help but smile but when i realized that both of these recommendations btw are great ones for start-ups as well as for children. So is tihs one: When your path is blocked, pivot. In start-up culture, we learn to pivot a lot, something that Fortune 500 companies should pay more attention to...

Author and thought leader David Ewing Duncan focused on DATA and how do we make sense of it all?', something he thinks is an awesome achievement of humanity, for 'better or worse.'

Because of his background, he centered his talk around bio-data. He points out that today, we can get a micro-analysis of our blood work, which can tell us how just whether we have a high chance of cancer and chronic diseases, but how empathetic we are as human beings. He notes "more experiences, more tests leads to more data."

But, as so many of us know, we have so much data, that its often overwhelming, so much so we can't make sense of the data we have at our fingertips. This is David's point.

Whats needed, he asserts is a new mindset in every occupation. "Enough of all this data, what does this data actually mean?" he says. "We need a revolution in interpreting the tools and the data as well as a radical shift in resources. In other words, how do we go about testing 42,000 genetic traits?"

Clearly, we need a radical shift in resources. There's only 4% invested on translational medicine and he thinks there needs to be a reversal in resource allocation. He also pointed to trends in the future for all the students sitting in the hall: "we're going to need 500 million analysts in 6 years and we only have 100 million today." Clearly, these are the people who are going to be well versed at making sense of all that data and transforming it into something usable and most importantly, actionable by individuals.

Tapan Parikh, a Berkeley University professor brought us back into traditional technology and current trends. Tapan’s research interests include human-computer interaction (HCI), mobile computing, speech UIs and information systems for microfinance, smallholder agriculture and global health.

He showed us photographs and results of some of his work in rural areas. Of his latest projects, Tapan has been designing, developing and deploying information systems in the rural developing world – initially in India, and now also in Latin America and Africa.

Tapan and his students have started several technology companies serving rural communities and the development sector. It was inspirational to see what they have accomplished so far and to see what is possible with resources, tearing down silos, sharing among communities and better access.

What he hopes to represent is the notion of showing respect for where you come from. He says, "Pick a challenge that is important to you" (for him, it was setting up real-time video conferencing, knowledge sharing and instant messaging in India), "and stick to it." He adds, "Don't assume you know what people need for their development - let them speak up, don't act for them."

I was thrilled that Tiffany Shlain was able to join us this year as I've always been a fan of her work. She has been making films for 20 years, and some of them have hit Sundance, Tribeca, Rotterdam and others and her films have won over 36 film festival awards.

Tiffany says, "each time we were able to change the way we recorded film and show reality, we were able to change reality itself."

She showed us snippets from her most recent film: Connected: An Autoblogography About Love, Death & Technology, A Declaration of Interdependence.” Connected had its U.S. theatrical tour this past fall and is now available for people to host their own screenings. 

The U.S. Department of State’s Bureau of Educational and Cultural Affairs and the University of Southern California’s School of Cinematic Arts (SCA) announced earlier this month the 29 films selected for the American Film Showcase, an international cultural diplomacy initiative that brings people together worldwide through film and Connected made the list.

The movie is enlightening and sad at the same time, taking us deep into what is happening around us in a connected world and how technology is shaping and reshaping us. Bravo!! I have a love/hate relationship with technology myself -- the timing of this film couldn't be more perfect.

"Do something radical and true," she says. "We as humans should declare our human interdependence." Film projects they're working on for others are centered on life's most emotional topics: engagement, power, money, wisdom, death, inspiration, the brain and others.

Now that we're back to Entertainment, the E in TED, the last two speakers this year were performers: magician Robert Strong and violinist Lindsey Stirling.

Robert Strong is known as 'The Comedy Magician' and in watching him, it's so clear that magic is his life passion. He has performed on every major television network, in more than 40 different countries, in all 50 states, and twice at the White House.  

I never paid much attention to the word magic until I renamed my own consultancy with Magic in the name. Now, I see 'magic' everywhere and am a true believer that perception is reality and that we can create any outcome we want through our own belief systems.

Lindsey Stirling, who I first saw play at Idea Festival in Kentucky last fall, is often referred to as the Hip Hop Violinist. Her passion, energy, and presence is magnetic, so much so, that you can't help but want to get up on stage and dance as she jumps around, violin and all, around you. Here's some background on her work. Let's just say that I'm a huge fan.

Check out last year's (2011) TEDxBerkeley talks on video. And a few talks from last year to get you inspired were Chip Conley on remembering that we're human in business, Anat Baniel on flexibility and vitality, Lopas Brunjes on carbon reduction, Bryan Alvarez on living organisms in our body, and Shore Slocum on spiritual awakening and awareness and how this can transform your everyday life. 

Photo Credits: Lightbulb - Kauffman.org, Speaker images by Renee Blodgett

TEDxBerkeley’s 2012 Theme “Innovation” Kicks Off Third Year at Zellerbach Hall on Feb 4

Tomorrow, Saturday, February 4, 2012, UC Berkeley will gather world leading thinkers, visionaries, creative pundits, philosophers, academics and doers to host the third TEDx Berkeley Event (a 501c3) at Berkeley’s Zellerbach Hall. It's the second year I've been involved in the event and we're thrilled to have a stellar line-up of speakers once again.

The theme this year is: "Innovation." 15 ground-breaking thinkers, leaders and performers will cover a diverse number of global issues and topics, ranging from health and toxicity, politics in a new media world, robotics, machine learning, and mobile computing to the arts through life-changing film & storytelling, micro-finance, the gift-economy and “magic.”  

Below is a list of the 2012 TEDxBerkeley speakers and performers. Visit the TEDxBerkeley speaker page for their detailed biographies and updates.

• Carl Bass: president and chief executive officer of Autodesk, Inc., the leader in 3D design, engineering and entertainment software. 

• Connie Duckworth: founder of ARZU, Inc., a 501 (c) (3) non-profit organization, and a retired Partner and Managing Director of Goldman, Sachs, & Co., where she was named the first woman sales and trading partner in the firm’s history during her 20 year career.  

• DeCadence: UC Berkeley’s DeCadence (pronounced dee-KAY-dence, with a capital ‘C’) musical group is best known around the Bay Area for their one-of-a-kind quirkiness and lovable eccentricity. 

• David Ewing Duncan: best-selling author of seven books published in 19 languages; he is a journalist and a television, radio and film producer and correspondent. His most recent best-selling book is Experimental Man: What one man’s body reveals about his future, your health, and our toxic world.  

• Dr. Maria Fadiman: a leader who works with the human/environmental aspect of conservation, who was named one of National Geographic’s Emerging Explorers in 2006. 

• Ken Goldberg: an inventor working at the intersection of art, robotics, and social media. At UC Berkeley, Ken teaches and supervises research in Robotics, Automation, and New Media. 

• Charles Holt: speaker & performer, Charles has entertained sold-out audiences around the world, including The John F. Kennedy Center The Turkish-American Association in Ankara, Turkey, and Rikers Island Correctional Facility. He speaks to groups and organizations in order to empower, encourage, and uplift audiences everywhere.

• Gopi Kallayil: does marketing at Google for Google Plus and previously for the Company’s flagship advertising product, AdWords, in the Americas and Asia Pacific and for AdSense, Google’s publisher‐facing product. 

• Jodi Lomask: founder of Capacitor, she has been commissioned to create original works for NASA, TED, SFO, Computers and Structures, the California Academy of Sciences, and the Salvadorian Olympic Gymnastics Team.

• Nipun Mehta: founder of ServiceSpace, an incubator of projects that works at the intersection of volunteerism, technology and gift-economy.

• Tapan Parikh: Assistant Professor at the School of Information at the University of California, Berkeley.

• Neha Sangwan, MD: an Internal Medicine physician, she is also CEO and founder of Intuitive Intelligence, and acts as a corporate communication strategist to empower healthcare practitioners, organizational leaders and corporate employees in their own self-care.  

• Tiffany Shlain: honored by Newsweek as one of the “Women Shaping the 21st Century,” Tiffany is a filmmaker, founder of the Webby Awards, and cofounder of the International Academy of Digital Arts & Sciences.

• Lindsey Stirling: a violinist for 19 years with a range that extends from classical to rock and roll. She became known as Hip Hop violinist from the America’s Got Talent contest.

• Robert Strong: the Comedy Magician has been crisscrossing the world since 1985 entertaining audiences large and small, young and old, formal and casual, and everything in between. Twice voted San Francisco’s ‘Best Comedian’, Robert has appeared in more than 40 different countries, in all 50 states, and twice at the White House. 

Additionally, TEDxBerkeley has collaborated with AppBaker to release an exclusive iPhone app for the event. The app features an interactive schedule, speaker profiles, Twitter wall, and much more. TEDxBerkeley has also partnered with Livestream to provide high-quality live video of the event.

The TEDxBerkeley team includes curators Kevin Gong, a translator who has volunteered for the Global Lives Project; Renee Blodgett, founder of Magic Sauce Media, We Blog the World, a global blog network that covers every culture in the world and Magic Sauce Photography, and Jennifer Barr, VP/Operations at Northern CA Wharton Business School Club; Volunteer and Logistics Coordinator Eleanor Yang; Director of Logistics Navi Ganancial, serial volunteer and social media marketing guru; Director of Sponsorships Linda Xu; Technical Director Rocky Mullin, production volunteer for EG and TEDMED, musician & producer and Speaker Logistics Coordinator David Allen.

Life Can Come From the Negative Side of a Story

From a well know screen writer's view related to the most important and least understood precept in story design:

    "A protagonist and his story can only be as intellectually fascinating and emotionally compelling as the forces of antagonism make them". 

          What will cause a protagonist to become a fully realized, multidimensional, and deeply empathetic character? What will bring his story to Life?

           The answer to both questions lies on the negative side of the story...." -Robert McKee