November 09, 2015
Happy 50 Years to The Sound of Music
If you're over the age of 30, chances are you've not only heard of The Sound of Music, but likely grown up watching it with your family. While the birthplace of all it was in and around Salzburg Austria, oddly enough Austrians and Germans didn't grow up watching it nor did it create such a groundswell effect locally like it did in other countries.
In October, I was invited to Austria celebrate the 50th anniversary of The Sound of Music, which was originally released in 1965, a pivotal year for so many cultural and historical events.
Truth be told, I figured the movie (and musical) was more of a phenomena in the U.S. given its picture perfect Hollywood movie style with Julie Andrews at the helm, however on the ground in Salzburg, I learned that it was a huge hit in places you'd least expect it to be, like Australia and China.
We watched The Sound of Music every year as a family for as long as I remember and no doubt, as a child, I watched it more than once some years.
As a little girl, who can't relate to the "You are Sixteen" scene? Here, Liesl and Rolf sing this "coming of age" song in the romantic Gazebo setting as she looks to him for guidance at the start of womanhood.
While some women may roll their eyes at a scene that depicts a teenage girl being so wooed by a boy that she is putting all hopes in the notion of him "taking care of her," suggesting that she can't figure it out on her own, there's an inherent and natural softness and innocence that is so beautifully portrayed in the scene and so many of us can resonate with it regardless of where we hail.
Perhaps reliving the scene as I did in Salzburg this year, holds the same romantic and tender memory as it did over 40 years ago because of the fact that traditional role models defined by sex are falling away. All we're left with when the definitions of who does what is gone is the purity of another human being you fall in love with, sitting across from you each day.
And, getting support from the other isn't an act of weakness, but an act of strength especially when polar opposite energies (masculine/feminine) play their part in the story we call life, even if its not quite the fairy tale life Hollywood is so known for projecting.
Below, I return to childhood in the original gazebo, which we visited at night -- one of the many original filming sites of The Sound of Music movie.
The lovely calling of romance and the innocence of childhood is so compelling in this scene, particularly given the context and that it happens on the heals of Hitler and political turbulence during a volatile time for Austria.
"A bell is no bell 'til you ring it, A song is no song 'til you sing it, And love in your heart Wasn’t put there to stay - Love isn’t love 'Til you give it away."
You'll no doubt recognize the shot above as another memorable scene from the movie -- Schloss Leopoldskron and the façade facing the lake which represented the von Trapp residence.
It was in this majestic and historical building where they held the official press conference celebrating 50 years.
Speakers included four actors who played the von Trapp children -- Debbie Turner as Marta, Duane Chase who played Kurt, Heather Menzies played Louisa, Nicholas Hammond who played Friedrich, Johannes von Trapp, the youngest son of the von Trapp family in real life who lives in Vermont today, Governor Wilfried Haslauer, Mayor Heinz Schaden and the head of Salzburg Tourism Bert Brugger.
They held court upstairs in the Schloss Leopoldskron Palace's library, which dates back to 1736 and its ever so encompassing architectural details only added to the historical impact the movie has had on the world. Inside, while broadcast media set up cameras to film the event, I couldn't help but to be drawn in by Kleber's stucco work on the ceilings which has been described as “the best example of rococo stucco the land can offer”.
Below is a short video of Johannes von Trapp addressing attendees at the official press conference.
Johannes von Trapp, now 76, was incredibly charming as he sat at the helm in an Austrian uniform, recounting his memories and sharing tales of his own life, noting what was similar to the movie and what differed. For example, his family didn't really climb over the hills and trek across the border, but took a train and nor did Maria and the Colonel marry at St. Stephen's Cathedral in nearby Mondsee, which was where the famous church scene was shot towards the end of the film.
Afterwards, we hung out with the actors in front of the lake, the very same one with the gold statues we all remember so well from the von Trapp estate scenes.
Below, I'm gloriously positioned in between Johannes von Trapp and Nicholas Hammond, who continues to act and lives in the states. I did ask Nicholas to dance at the gala later a few times, but he politely turned me down, offering a stateside rain check, something that would no doubt be fun to take him up on someday.
With Heather Menzies at the Kulisse Salzburg (Festive Halls) cocktail reception gala, which preceded the grand finale event they held on Saturday October 17, 2015 in the Felsenreitschule.
With Nicholas Hammond at the Kulisse Salzburg terrace bar, which boasted incredible views of historical Salzburg beyond and below.
If all of this isn't nostalgic enough, group shots in front of the glorious Salzburg poster at the evening VIP reception was sure to give any attendee a melancholy moment or two.
Below, together with the other American journalists who flew in to cover the event. In total, there were 50 of us from 12 different countries.
While not a household name in the states, Uwe Kroger (below) is a known performer in Salzburg and plays Captain von Trapp in the most recent musical performance.
On-Stage Performance Brings Me Back in Time
This intoxicating gala brought me back in time, reliving all of those memorable Sound of Music moments I had as a child. Producer Carl Philip von Maldeghem and directors Andreas Gergen and Peter Ewaldt were behind the event, as was the Mozarteum Orchestra. The Mozarteum Orchestra provided the music, while soloists and the choir of the Landestheater stood alongside the original actors from the 1965 film.
Listen to Edelweiss from the main stage...
Climb Every Mountain
And now for my favorite, Do-Re-Mi (the lighting is terrible in the video, but the sound is captured well considering the size of the hall)
Together with Uwe Kroger, German-Serban singer Milica Jovanovic played Maria von Trapp which she has been doing since the 2012/2013 season.
At the end of the performance, original actors joined the stage, including Johannes von Trapp and his family (below). And, together, we sang. If I were to say participating and watching this extravaganza was moving, it would be a grave understatement. Bravo!
The Hills Are Alive: The Salzburgerland Road to Memory Lane
The tour of Sound of Music sites is definitely worth doing and Salzburg Panorama Tours are the most notable ones doing it.
Film locations include Mirabell Palace and Gardens, where Maria and the children dance and sing Do-Re-Mi, the Observation Terrace on the Monchsbert, where they sing a verse of Do-Re-Mi, Residenz Square where Maria sings "I have confidence in me," Summer Riding School (Festival Hall), where Captain von Trapp sings Edelweiss before fleeing to America and St. Peter's Cemetery where the family hides behind the tombstones.
Then there was Leopoldskron Palace which was used as the von Trapp villa as noted above, Frohnburg Palace, which is used as the garden gate, courtyard and facade of their villa, Untersberg, which is the opening and fleeing scene, Hellbrunn, which houses the original gazebo, Anif Palace, which can be seen in the opening scene, Hohenwerfen Castle, which is the backdrop for Do-Re-Mi, Mondsee and Mondsee Church (pictured below), where Maria runs to the convent and marries the captain, and Fuschl -- St. Gilgen -- St. Wolfgang, which are aerial shots you see at the beginning of the move.
Below, granddaughter of Maria and Captain Von Trapp, Elisabeth Von Trapp, joined our bus as we were ready to depart for the official Sound of Music tour to sing for us. Born and raised in Vermont, she has been singing since childhood and her voice has apparently enthralled audiences from European cathedrals to Washington D.C.’s Kennedy Center.
Below, you can catch a glimpse of it live -- be prepared to have your heart melt...
We hit all the sites, including those out of town, such as the charming town of Mondsee, a 30 or so minute drive from Salzburg. Below is St. Stephen's Cathedral where the wedding scene of Captain and Maria took place in the movie as noted above.
New Sound of Music Trail in Werfen
We were fortunate enough to visit the new Sound of Music Trail in Werfen, a day before it officially opened on October 18, 2015. Here, you see the stunning shooting location where the picnic scene with Julie Andrews was filmed, teaching the children to sing.
This area on the outskirts of Werfen is known as the Gschwandtanger. The Sound of Music Trail is 1.4 kilometers long, with 12 information stations along the way, many of which are interactive.
What's astonishing about these locations are not just the outstanding views (we were lucky to have a clear day when we reached the top), but the fact that it has been viewed via this famous movie by over one billion people from around the world.
Here, you also have an opportunity to discover the beauty of Salzburgerland's mountains and alpine pastures. There were children on-site also, which made for incredible photos against such a picturesque backdrop. Quite simply put, it was magical!
AHHH yes Salzburg, glorious Salzburg, thanks for the nostalgic moments and for allowing the rare opportunity to celebrate with the actors and producers who created a musical explosion that changed so many people's lives.
HAPPY BIRTHDAY SOUND OF MUSIC!!!
May 26, 2013
Embracing & Owning Your Imperfections Opens More Doors, Not Less...
People who know me well know that I'm a sucker for a new read. As long as there's not six other books in queue or the recommended book is so uncompelling I can't get through it, it's mine for the taking. When I was beating up on myself recently, a friend recommended I look into the work of Brene Brown.
I started with her TED talk and then moved to her book: The Gifts of Imperfection -- oh such a compelling title in a country that deems itself more perfect than any other. Some may call it a personal self help book, and while aspects of that may be true, the category has gotten such a bad rap lately that I'd prefer to call content what it is designed to do: help you get from A to B through whatever wisdom the author shares through their vantage point and skillset. If that's self help, fine.
Is it self help when you need to learn a specific management skill and an expert who has the wisdom shares it through a book to get you unstuck? We look down upon wisdom that might help elevate ourselves and our sense of humanity but praise things that help our skills and ability to accomplish and succeed. You get my point.
Frankly if you dive deep enough into most things we do of "external value," there's always an underlining emotional issue that gets in the way. Take money. While clearly there's a skillset in trading, investing and allotting the right money to the right buckets, selling too quickly or making the wrong decision often comes from a place of emotional fear rather than following a code of what works and what doesn't. The best guys on Wall Street keep their emotions out of it but not all of us can. The same applies to raising kids, keeping a marriage together, staying healthy or running a company.
While most of Brown's references are personal ones, the gift that this "read" gave me was largely professional. Here's why. While clearly we all have moments where we're afraid to be honest with ourselves and others, throwing our vulnerabilities out there with a friend or group of friends tends to be easier, at least for me. I'm more likely to lift the shield in a personal environment than in a professional one. The former can expel me from their group while the latter can fire me, impact my revenue, reputation and most importantly, self esteem.
When I read that Brown was a "shame researcher," my immediate reaction was: how much is there to research about shame? Really? It's so specific that I couldn't imagine a professor dedicating her entire career to something that specific and yet, there are professors who dedicate themselves to ants and write lengthy scientific papers on the latest Melanesian ant fauna which end up as a TED talk, so why not?
Little did I know. Shame is not as specific as you might think. Through reading her book and doing some additional digging on my own, I can see how prolific it is in our lives, weaving its way into all aspects, from how we interact with family, peers, and loved ones to the person who hands us our double latte in the morning.
To deny that "shame" shows up in my personal life would be to deny being human, for we've all experienced it, however the piece which most resonated with me is how it awkwardly plays into professional relationships and dynamics, a place that doesn't use the word "shame."
Getting beyond it requires courage and compassion daily in order to live what she refers to as a wholehearted life. It requires practice. Malcolm Gladwell said it best in his 10,000 rule analogy. How can you ever ace something you don't spend time practicing over and over and over again? The same applies to our personal lives. In other words, proactively practicing courage, compassion, connection and empathy is how we ultimately cultivate worthiness.
Time and time again, I have witnessed people not asking for what they're worth and "owning it" while they're at it. I've been there - we all have. Given that PR in general is often perceived as being useless, provides little or no value and can't be measured, I find that many practitioners and consultants undersell themselves or charge on a transaction basis to bring the cost down in order to get the business. It's an act of desperation when you do this - it not only commoditizes our business and our value but delivers an "action" rather than the "value of that action."
Women often have a harder time feeling worthiness and the moment we attempt to prove our worthiness is the moment we've lost the game. Often, we feel as if we have to prove ourselves particularly when a CEO or worse, a COO suggests that what we do didn't move the needle today. The problem at least in my industry, is that branding, communications and marketing doesn't move a needle in a day, or a week or even a month, although sometimes it can. It's a process, just like building relationships is a process. We cannot and must not ever measure our worthiness based on that formula and model.
Because of the nature of my industry, it's even easier to undercut our worthiness than say a doctor, who performs a surgery and suddenly a limb is working again. At the heart of what we do as communications pros is storytelling. Aren't the best stories the ones which are authentic, intimate and vulnerable at their core?
I often feel that when I begin to go there with a client, fear gets in the way...not just on my side but on the client's side as well. The more I rely on emotion, intuition and creativity which is the essence of what makes me thrive at what I do, the more the client throws up roadblocks or devalues the deed because it's so untangible. Beauty, art and yes, even moving the needle often comes from untangible.
Is a brand that you buy again and again always tangible? Sometimes it is (it's faster, more durable) but more often, it's a feeling you have about the brand that brings you back again and again. This feeling is the result of years of storytelling and messaging, not six month's worth. And, consistency is key.
One of our inherent gifts as professionals is that we excel at not just creating that story, but delivering it consistently again and again. It's an art and our clients need to understand that it's an art, not a science. Own that art and you own your worthiness. We shouldn't have to 'sell or prove our worthiness' again and again as if somehow showing a stat suddenly proves that our "art" is worthy.
Brown talks about owning our story and I'd ask you to think about how what she says here shows up or doesn't show up in the workplace. Where she refers to love, belonging and joy, replace the words with self respect, connection and courage.
She writes: "Owning our story can be hard but not nearly as difficult as spending our lives running from it. Embracing our vulnerabilities is risky but not nearly as dangerous as giving up on love, belonging and joy -- the experiences that makes us the most vulnerable. Only when we are brave enough to explore the darkness will we discover the infinite power of our light."
She also quotes Pema Chodron, a Buddhist writer who is one of my favorite authors. "In cultivating compassion, we draw from the wholeness of our experience: our suffering, our empathy, as well as our cruelty and terror. It has to be this way. Compassion is not a relationship between the healer and the wounder - it's a relationship between equals. Only when we know our own darkness well can we be present with the darkness of others. Compassion becomes real when we recognize our shared humanity."
Hear hear Pema.
Here's another little bit of wisdom for those who have a hard time with imperfection and asking for help. Depending on what circles you travel in, some have a tight network (let's not forget the old school boy network, which yes, does still exist, especially in Washington), they rely on and often, they don't even have to 'ask' for help. It shows up just because they're part of that network. Others have different networks who help them out from time-to-time and others try to do it themselves...all the time: parenting, managing, creating, producing and running with very little delegating along the way.
Asking for help is hard when we are conditioned to strive for perfection, even if its something we disguise as perfect. From that place, we often feel that if we ask for help, we're indebted to someone and that lays over us like a negative card. Within the confines of that negative card, it's as if we're always trying to figure out how to repay for that help, even if the help wasn't a financial one.
This is how it shows up in many of our lives. While the following statement may sound counter-intuitive, it's true and she's right. Brown writes, "until we can receive with an open heart, we are never really giving with an open heart. When we attach judgment to receiving help, we knowingly or unknowingly attach judgment to giving help."
This is also true: "Belonging is the innate human desire to be part of something larger than us....because true belonging only happens when we present our authentic imperfect selves to the world, our sense of belonging can never be greater than our level of self-acceptance."
While I know many a narcissist in my business circles and on the flip side, others who have gone through the hard journey to get to self-acceptance, many of us still struggle with pieces of it from time-to-time. When that piece shows up in our professional lives, we second guess our decisions when our intuition tells us its the right one or we don't ask for what we're worth because a client widdles us down or leads us to believe our value isn't worth a specific amount.
Suddenly we're in a place of proving that we matter when we matter for just showing up and sharing the gifts we can deliver better than that client or possibly anyone else. Bottom line, we should be paid well for it: the value of it, not the task of it even if some of that value can't be measured right away. I know people who have gone to psychologists for ten years - does the value of their work show up after a visit or does it take time to get results? What about a tennis coach? Does the value of a dentist's work show up after one time or let's put it another way, how would your teeth look and feel if you didn't have those bi-annual check ups and cleans?
Value shows up over time and if you believe in yourself, your client needs to believe in your value too or don't work with them. Walk away. I mean it - walk away. It's the biggest gift you can give yourself. When one door closes, another one opens. And if you're feeling fearful about that statement, think about Helen Keller's fabulous quote: "when one door of happiness closes, another opens; but often we look so long at the closed door that we don't see the one opening before us."
Live from a place of true worthiness, self-respect and authentic living and as Brown puts it, a wholehearted life and things will blow open for you. While it may not happen overnight, it will happen as long as you trust in the process. As an old wise monk said to me on a hike in Nepal many years ago, Patience, grasshopper, patience.
Photo Credits: Original Impulse. Andrew S. Gibson. Tiny Buddha. Jenny's Endeavors.
May 26, 2013 in America The Free, Books, On People & Life, On Poems, Literature & Stuff, On Spirituality, On Women, PR & Marketing, Reflections, Social Media, WBTW | Permalink | Comments (0) | TrackBack
February 22, 2012
TEDxBerkeley 2012's Inspiring Innovation Merges Magic, BioData & Technology With Film, Oceans & Plants
Most people in my circles know what a TEDx event is but for those of you who don't, it is a local, self organized event that bring people together to share a TED-like experience, in the spirit of ideas worth spreading.
This video gives you an idea of what these non-profit events are like, which extend far beyond Berkeley. Cities around the world are organizing TEDx events, with a goal to teach, share, collaborate, educate, faciliate and grow. Ideas worth spreading means that some of these ideas can revolutionize (and have revolutionized) the world because of a new relationship or partnership that has evolved as a result of the wider distribution of these ideas and the courage and dedication of people behind making the 'magic' happen.
It's the second year I've been involved as co-curator of TEDxBerkeley, an event held at Berkeley's Zellerbach Hall every February. In attendance were well over 1,000 people from a broad range of disciplines and minds - from academic, music and science to medicine, technology and the arts.
15 ground-breaking thinkers, leaders and performers entertained and educated the audience through storytelling, performance and anecdotes from their life experiences.
Given that UC Berkeley is involved, so were some of the professors and students, including the opening act by DeCadence (pronounced dee-KAY-dence, with a capital ‘C’), a vocalist group that sports eye-catching blue and gold capes and creative dance moves at nearly every performance.
The musician in me couldn't help but call out music brilliance first and while we're on the topic of incredible voices, Charles Holt stole the stage with his storytelling and singing of "He Lives in You," my favorite Lion King number.
He had me at "go" is an understatement, largely because of his intuitive nature, the fact that he lives his life through that intuitive lense and his witty and incredibly honest stories of his mother and grandmother from the south, which will leave you crying and laughing at the same time.
From music to dance, Jodi Lomask then awed us through her dance troupe. Known for her work with an organization she founded called Capacitor 15 years ago, she works with world-renowned research scientists to create original dance works that draw attention to critical environmental issues.
I think about people I know who spend their life committed to understanding oceans and I think about the moment it was for me that I got one step closer: deep sea diving off the coast of Australia some 60 or so feet below the surface. In that world, that remarkable world, you truly understand the beauty of a world we need to cherish and preserve.
Her dancers showed us that beauty through a combination of violin, dance movements in and outside of rings in somewhat of a Cirque du Soleil style and environmental videos, all creating an outer world exerience for us to share.
One of my favorite moments of the performance is below...the intertwining of minds, hearts and bodies.
Also involved in conservation and the environment was Dr. Maria Fadiman who I had the pleasure of setting up with a new Twitter account (social media will get us all, the deep hidden voice says, lurking in the background), is a fascinating combination of geologist, comedian, nature lover and ethnobotanist, her work focuses on the relationship between people and plants.
From South Florida, her style was very informal for an academic crowd yet had people laughing as she pounced onto the stage with a machete in hand, telling one humorous story after another of her time in the jungle, the majority of her time spent in the rainforests of Latin America.
She has worked with Tibetan children in teaching them to record their own ethnobotanical traditions and is currently working on a global scale cross cultural study of people’s use of a cultural keystone species (the flora and fauna that are deemed important to the survival of a culture), and how these plants can act as larger ecosystem preservation incentives.
Digital fabrication is where you change the rules about how things are made, referencing 3D printers, showing us examples of various things which can be printed into a variety of materials, including rubber, plastic and metal.
It's amazing what can be printed on a 3D printer now...I ran into BitTorrent's Bram Cohen at SF Music Tech who showed me a very interesting 3D ring he was wearing on his finger. Additionally, imagine 3D buildings and even a 3D-printed human kidney.
We also heard about the rise of information, aka the wisdom of the crowds and the wisdom of the 'cloud.' Not only are we all becoming creators in our own way on our own personal platforms, but we're becoming curators as well.
Then, ARZU's Connie Duckworth, who took the stage in vibrant red, focused on international development sharing things learned from her work in Afghanistan. She says of the current state of international development:
- The international development industry is dysfunctional.
- Big money brings big unintended consequences.
- Hope can’t thrive in the world’s worse places.
She believes that we have an urgent call to change the structure of the international development industry, which holds in its hands the lives of billions of people at the bottom of the pyramid.
Their thinking is that somehow inherently flawed short term thinking will move into sustainable systems. Big money when not hosed in the right direction can create a lot of chaos. She asserts that its a key reason that so many people lose so much faith in their government.
She refers to another unintended consequence of big money going to the wrong places: Brain Tilt, which is when the most highly educated local people (engineers, professors, doctors), all end up working for expats in low level positions. Local smart people are working as drivers and clerks rather than working in higher level positions because they can get paid so much more in the other positions.
Connie defines the quest for peace as security. “We all see the world through our own lens of experience, so for me, success all starts with a job. This is how people start with a way to solve those basic level needs, such as the ability to eat and feed their family.” She encouraged the audience not to just sit back and want peace, but believe in it and take action.
Rather than focus on money, we wanted to focus on giving, in other words, the idea of unleashing the power of compassion capital. “Once you unleash compassion,” he says, it’s amazing what happens. “Stay focused on adding value and discovered untapped capital.”
When small acts of giftivism get connected and activated, it rekindles a gift economy. A gift culture, he says, is marked by four key shifts:
- Shift from Consumption to Contribution – Instead of asking “what can I get,” open with “What can I give?” He says if you open each door with a different question, about what can you give, it changes the entire dynamics.
- Shift from Transaction to Trust: Build synergy. He refers to Karma Kitchen, a restaurant in Berkeley, where you pay for the people ahead of you or behind you rather than for your own bill. 26,000 meals so far and people continue to pay it forward.
- Shift from Isolation to Community: it is not enough that we connect, but rather how we connect. When you serve other people together, you create a network of ‘gift ties.’
- Shift from Scarcity to Abundance: Cultivate inner transformation to arrive at enough. “There is enough for everyone’s need but not enough for everyone’s greed.”
Hear hear Nipun. From gift economies, we shifted to Gopi Kallayil from Google who talked about the power of social and a connected world, particularly during the 18 days of the Egyptian protests, showing us a video where Desmond Tutu is talking to the Dalai Lama on Google+, a clip which has now been watched 2 million times. This is a great example of how social media is driving innovation around the world.
We saw examples from Libya and Kenya to South Africa and Egypt, where during the protests, they were able to express how they really felt and more importantly, people were able to listen to those words on YouTube and other platforms. They sang, “the most important thing is our right and writing our history with our blood – if you were one of us, better not blabber and tell us to go away and leave our dream and stop saying the word “I”. In every street in my country, the sound of freedom is calling. In every street in my country, the sound of freedom is calling.” Powerful stuff.
From the vantage point of healthcare, intuition and communications, Dr. Neha Sangwan encourages everyone to be proud of yourself for "listening to yourself." Often, listening to ourself comes second to listening to opinions of others, whether they be friends and family or a doctor we're seeing for a particular issue.
She asks, "what if communication is the cure that we're missing? What is the way we talk to ourselves & whether we choose to lean into our discomfort & show up in the world? What is this is the prescription for health long before I need to write you a prescription?"
Her talk was highly emotional as she brought us a journey around the world to the Middle East, where she spoke to women, sharing with us insights she learned about their world, their pride and in turn, what we can learn from them in the western world.
A professor at Berkeley, Ken Goldberg who closed the talks, on nothing other than robots. Yes, robots...and what we can learn from them. As someone who worked in speech recognition for years and did a project for the Willow Garage guys (I love PR2 and even danced with one), I was eager to hear his insights.
Ken thinks robots can inspire us and that we have a lot to learn from them. Some of those insights from various projects over the years include: always question assumptions. It's amazing how quick we are to turn to other people's assumptions and make decisions based on them without digging deeper. Secondly, when in doubt, improvise.
I couldn't help but smile but when i realized that both of these recommendations btw are great ones for start-ups as well as for children. So is tihs one: When your path is blocked, pivot. In start-up culture, we learn to pivot a lot, something that Fortune 500 companies should pay more attention to...
Author and thought leader David Ewing Duncan focused on DATA and how do we make sense of it all?', something he thinks is an awesome achievement of humanity, for 'better or worse.'
Because of his background, he centered his talk around bio-data. He points out that today, we can get a micro-analysis of our blood work, which can tell us how just whether we have a high chance of cancer and chronic diseases, but how empathetic we are as human beings. He notes "more experiences, more tests leads to more data."
But, as so many of us know, we have so much data, that its often overwhelming, so much so we can't make sense of the data we have at our fingertips. This is David's point.
Whats needed, he asserts is a new mindset in every occupation. "Enough of all this data, what does this data actually mean?" he says. "We need a revolution in interpreting the tools and the data as well as a radical shift in resources. In other words, how do we go about testing 42,000 genetic traits?"
Clearly, we need a radical shift in resources. There's only 4% invested on translational medicine and he thinks there needs to be a reversal in resource allocation. He also pointed to trends in the future for all the students sitting in the hall: "we're going to need 500 million analysts in 6 years and we only have 100 million today." Clearly, these are the people who are going to be well versed at making sense of all that data and transforming it into something usable and most importantly, actionable by individuals.
Tapan Parikh, a Berkeley University professor brought us back into traditional technology and current trends. Tapan’s research interests include human-computer interaction (HCI), mobile computing, speech UIs and information systems for microfinance, smallholder agriculture and global health.
He showed us photographs and results of some of his work in rural areas. Of his latest projects, Tapan has been designing, developing and deploying information systems in the rural developing world – initially in India, and now also in Latin America and Africa.
Tapan and his students have started several technology companies serving rural communities and the development sector. It was inspirational to see what they have accomplished so far and to see what is possible with resources, tearing down silos, sharing among communities and better access.
What he hopes to represent is the notion of showing respect for where you come from. He says, "Pick a challenge that is important to you" (for him, it was setting up real-time video conferencing, knowledge sharing and instant messaging in India), "and stick to it." He adds, "Don't assume you know what people need for their development - let them speak up, don't act for them."
I was thrilled that Tiffany Shlain was able to join us this year as I've always been a fan of her work. She has been making films for 20 years, and some of them have hit Sundance, Tribeca, Rotterdam and others and her films have won over 36 film festival awards.
Tiffany says, "each time we were able to change the way we recorded film and show reality, we were able to change reality itself."
She showed us snippets from her most recent film: Connected: An Autoblogography About Love, Death & Technology, A Declaration of Interdependence.” Connected had its U.S. theatrical tour this past fall and is now available for people to host their own screenings.
The U.S. Department of State’s Bureau of Educational and Cultural Affairs and the University of Southern California’s School of Cinematic Arts (SCA) announced earlier this month the 29 films selected for the American Film Showcase, an international cultural diplomacy initiative that brings people together worldwide through film and Connected made the list.
The movie is enlightening and sad at the same time, taking us deep into what is happening around us in a connected world and how technology is shaping and reshaping us. Bravo!! I have a love/hate relationship with technology myself -- the timing of this film couldn't be more perfect.
"Do something radical and true," she says. "We as humans should declare our human interdependence." Film projects they're working on for others are centered on life's most emotional topics: engagement, power, money, wisdom, death, inspiration, the brain and others.
Now that we're back to Entertainment, the E in TED, the last two speakers this year were performers: magician Robert Strong and violinist Lindsey Stirling.
Robert Strong is known as 'The Comedy Magician' and in watching him, it's so clear that magic is his life passion. He has performed on every major television network, in more than 40 different countries, in all 50 states, and twice at the White House.
I never paid much attention to the word magic until I renamed my own consultancy with Magic in the name. Now, I see 'magic' everywhere and am a true believer that perception is reality and that we can create any outcome we want through our own belief systems.
Lindsey Stirling, who I first saw play at Idea Festival in Kentucky last fall, is often referred to as the Hip Hop Violinist. Her passion, energy, and presence is magnetic, so much so, that you can't help but want to get up on stage and dance as she jumps around, violin and all, around you. Here's some background on her work. Let's just say that I'm a huge fan.
Check out last year's (2011) TEDxBerkeley talks on video. And a few talks from last year to get you inspired were Chip Conley on remembering that we're human in business, Anat Baniel on flexibility and vitality, Lopas Brunjes on carbon reduction, Bryan Alvarez on living organisms in our body, and Shore Slocum on spiritual awakening and awareness and how this can transform your everyday life.
February 22, 2012 in America The Free, Arts & Creative Stuff, Conference Highlights, Entertainment/Media, Europe, Events, Magic Sauce Media, Music, On Education, On Health, On Innovation, On People & Life, On Poems, Literature & Stuff, On Robotics, On Technology, On the Future, San Francisco, Social Media, WBTW, Web 2.0 | Permalink | Comments (0) | TrackBack
December 28, 2011
If You Only Had One New Years Resolution....
If you only had one New Year's resolution, it might be to recognize where this statement applies and do something about it. I'm sure it will lead to countless things you cannot even imagine until you start writing them down.
"Iron rusts from disuse; water loses its purity from stagnation.
So does inaction sap vigor from the mind."
-- Leonardo da Vinci.
AND I'd add to this....it also saps vigor from your life.
October 22, 2011
Bryan Doerries' Theatre of War
At PopTech this week, Bryan Doerries, a New York-based writer, translator, director, and educator read poetry to us, his eloquent use of language and intonation resonating with nearly everyone in the audience.
He is the founder of Theater of War, a project that presents readings of ancient Greek plays to service members, veterans, caregivers and families as a catalyst for town hall discussions about the challenges faced by combat veterans today.
Over the past year, Bryan has directed film and stage actors such as Paul Giamatti, Isiah Whitlock Jr., David Strathairn, Lili Taylor, Charles S. Dutton, Gloria Reuben, and Jeffrey Wright in readings of his translations of Sophocles’ Ajax and Philoctetes for military communities.
When people are in pain or have undergone crisis, it's important to be able to speak the unspeakable. He says, "Imagine soildiers in Athens, seated in the order of tribe and according to rank. They have come together to hear plays that only those who have been to war or cared for those who have gone to war could understand. They were there to laugh, weep and bear witness to the truth of going to war."
He goes on: "Now imagine American soldiers in a drill hall or a field house where they are seeing a play about a depressed warrior who has slipped into depression because he has seen his best friend murdered. He then takes his own life."
"Being separated from my troop is like being stripped of my humanity," said a soldier to him. He is doing this project to restore humanity for these individuals who feel like they lost their humanity along the way. And, he wrote these plays to help people heal.
Sophocles wrote these plays to comfort the inflicted and to inflict the comfortable. "This is what happens everytime we perform Theatre of War," he says. "In an environment that combines live theatre and community dialogue, people are comforted by what brings them together across time. They are inflicted by the understanding that empathy is not enough. Theatre is an ancient military technology which we are licensing from Sophocles, to raise awareness, to raise stigmas, and to stir our fellow citizens to action."
His other recent theatrical projects include “Prometheus in Prison,” which presents Aeschylus’ “Prometheus Bound” to corrections professionals to engage them in conversations about custody and reentry, and “End of Life,” which presents Sophocles’ “Women of Trachis” to palliative care and hospice workers to engage them in dialogue with other medical professionals about medical ethics and pain management.
For more on his work, read Bryan Doerries' op-ed in the Washington Post about his experience taking Theater of War performances to military bases.
May 22, 2011
Not Just in Aging that the World Surrenders to a Silent Mind
It was on a flight from Las Vegas to San Francisco, a flight I had made countless times over the years, when I had a deja vu moment about aging. As I glanced over to the woman to my right, I suddenly remembered all the times I had watched the older women in my life as a child and felt as far removed from them then as I do now from a 15 year old male skateboarder from Detroit.
On that flight, a surreal feeling swept over me...as if I was her or could have been a dear friend of hers in a previous life. The moment was short lived but vibrant and incredibly real, and it made me incessantly aware of aging and this precious thing called human life.
She was probably 70 or so, the woman was a petit, short Asian woman with beautiful silver hair, strands of black scattered throughout as the only remnants left of her middle age life. Her skin was glowing despite her obvious fatigue and you could tell she was once a stunner in that way you can about some people; there's a certainty, a quiet sauciness, and a knowing smile that suggests a life fully lived. She was wearing faded jeans, classy gold earrings with just a touch of ruby red and a Victorian blue button up top with a crocheted back that barely covered her neck, just enough to add a sweet balance of feminine energy to her other otherwise masuline aura despite her small frame.
Her face was weathered, not terribly so, but like her glow, certainty and smile, her face and hands exuded a lifetime of stories, over decades of experiences, far far beyond Las Vegas or San Francisco.
My deja vu moment came moments after a visit to the airplane lou where I observed my own weathered skin from years of sun exposure including the most recent trip in an open convertible where the hot desert sun beat on my skin, adding more aging spots which will someday tell a long story, or a series of them, just like the silver-haired neighbor to my right.
Although I was more than 30 years her junior, I felt as if this woman, whose coiled sleeping body next to me, was a kindred spirit somehow, despite the fact that we had yet to exchange a word.
Part of the desert trip included exploring rock ruins, flora and engravings, the latter of which told some of our ancestor's stories during a time that not only knew no computer, but knew no pen, paper or even a primitive chalkboard. I couldn't get enough of the hot Utah sun largely because the sun had become such a foreign oddity as I had somehow become more accustomised to hanging out with words on a screen as Google's Chrome churns them out tab after tab.
Despite the fact that I had "inked" my face up with pure white zink from Australia, the sun took its toll, not just on my face but on every inch of my body except for the six inches which were covered by scarves and shawls.
In the mirror that afternoon, seeing the weathered results of miles of sun and wind, brought back a memory of my South African host sister and I basking in the African sun as teenagers one hot summer afternoon in Durban. We were coated with baby oil as were our neighbors and their neighbors and so on. My host mother would bring out iced tea (roibos) with mint on the hour to make sure we were hydrated and their rotweiler would bark every time she opened the door. White as snow, she came out glaring through the sun to find us spread out on the grass in her 1950s-style apron with printed pansies in oranges and reds. She would shudder as my grandfather would at the amount of time we spent unprotected under the far too close to the equator sky. Like our neighbors, and their neighbors and so on.
As the memories flooded my head, I looked back at my silver-haired friend, who opened one eye on this occasion, just enough to add a small but tired smile as a way to acknowledge my gaze. At the end of the flight, we exchanged one short sentence as we all queued up like cattle waiting our turn to exit the plane.
I felt so connected to this woman I knew nothing about for some reason and yet......an older short, silver-haired Asian woman with gold earrings next to an American auburn haired, blue eyed woman nearly half her age and yet the almost silent exchange was as if.....as if, we had met before in a far away place, in a previous life, at a time when time had no meaning.
When time has no meaning, aging has no meaning. Later, I read an excerpt called Late Ripeness by Czeslaw Milosz that went something like this:
like ships, together with their sorrow.
And the countries, cities, gardens, the bays of seas
assigned to my brush came closer,
ready now to be described better than they were before.
It made me think of her, the woman whose name I never learned, nor whose origin I will ever know. Yet when time has no meaning and aging has no meaning, I understand how things in an aging mind might just be ready to describe things better than they were before, and as the brush does in fact come closer, we also appreciate the preciousness of the journey we're on, have more gratitude for what we are becoming and who we encounter along the way.
We also become okay with the silence that blesses us along the way. Just when we think the silence is a "negative" as it reminds us that we are in fact getting older, we realize that it is in fact a gift, the biggest gift we'll ever receive in our lifetimes, for when we live our lives from this place, we are more open, more vulnerable, more authentic and more pure. How appropriate to end with one of my favorite quotes: "The whole world surrenders to a quiet mind."
March 21, 2009
On False Beliefs
One should not be intimidated by the fact that so many people hold false beliefs. Nor does the truth of a belief depend on whether it has been held for a long or short time. The point is simply whether or not it conforms with reason. —Nichiren
November 18, 2008
Sighs Are My Food
1986 during college. I came across it the other day and can't recall the reference or the specific place......I was living in London at the time and if it was winter, I was studying 24/7 in a dark library with few windows.
Signs are my food, drink are my tears
Clinking of letters such as music would crave
Stink of close air away away my life wears
Innocency is all the hope that I have
Rain, wind & weather I judge by mine ears
Malice assaulted the righteousness should have
Sure I am, this wound shall heal again
But yes alas, the scar shall still remain
April 30, 2008
Nimrod's Coffee of Love
Rosh Pina in Tel Aviv's Port. The below is a story of Nimrod's Coffee house which was opened in 2007 with the purpose of immortalizing the heritage "The Good Life" that Nimrod left his sister in his death. Below is the background of the creation of Nimrod's Coffee of Love.
Nimrod's sister writes. I admit. I didn't believe in love. Actually I was one of those who didn't believe love existed until Nimrod married Iris. And then everything changed. I needed that my only brother would get married in order to believe that true love existed. "What's the secret of happiness?" I asked him. "The Good Life," he answered in his simple way.
We left Rosh Pina. Nimrod became a high-tech manager at Microsoft and I moved to America. In my visits, I discovered Nimrod was having a dilemma which was more preferable; to go with his beloved Iris and little Omer and Vick, to our childhood village, Rosh Pina, or take them to the harbor in Tel Aviv.
What is love? Nimrod taught me. In love, there are no boundaries, no barriers. It's an endless flow.
I had a tour contract in Mexico and Nimrod was in the middle of preparations to the annual Microsoft convention in Israel when the Second Lebanon War started. My parents and I begged: "leave everything and come over to Mexico."
Nimrod was drafted, as a reserved soldier with a special emergency call. Before he left home for Lebanon, he wrote his beloved Iris a poem:
At about midnight they called me.
It was the telephone announcing machine.
Her voice said: Soldier - Gathering Spots!
You yelled you weren't ready
Even though you were --
In your sleep --
To pay the price.
I said, pretty thing. It's routine.
Every soldier-citizen has to go.
I kissed her, I calmed her as if for real.
I hoped to be back before Fall.
When the tank entered the land of Lebanon
I put on my armour,
Praying you wouldn't call me on the phone.
A simple high-tech man from Ramat Gan
Taking his children to school.
Fighting terrorists at night.
Tell me, will all this help
Tomorrow or the day after
When I come back
And all this business will be over --
In the end you fight to live.
In the end you fight like animals.
For the silence within.
On August 19 of the Hebrew month of Av, the Hebrew Valentines Day, the announcing officers knocked on Iris's door.
March 26, 2008
In Love With Intuition
Intuition transcends the limitations of reason.