November 19, 2015
A Toast to Silence Along the Jamaican Coast...
For the second night in a row, I hadn’t bolted the door. When I woke up, I had that dizzying feeling you get when you’ve passed through too many airports in a short period of time, wondering where you were and what day it was.
There wasn’t a sound to be heard except for a distant bird’s call that didn’t remotely sound familiar. I tried to put my attention on it so my mind didn’t race off into the land of thought, the ever land of thought that never seems to shut down. What hadn’t I done the day before that still needed my attention and all the things that so often steals precious time away from the serenity that this precious island had to offer.
I was on the very same Caribbean island that I read about for the first time when I was ten, and while I hadn’t heard of Reggae or the Blues yet, the novel painted such a rich picture that I knew the rhythm and beat by heart, so much so that I imagined drums on the ceiling of my bedroom and if anyone ever asked me, I would swear they were real, as if a helicopter dropped them by night and parachuted them away the moment daylight hit.
My imagination couldn’t have been more vivid at the time and dancing colors of multiple rainbows were part of the canvas of life I painted for myself each and every day; it was a beautiful innocent time where stormy grays and dark blacks didn’t exist, not even in my mind’s eye. It was the start of my exploration of music and I so wanted to be the character in that mystery novel I can’t recall the name of, just so I could dance all night and write music all day.
I wanted braids in my hair with bright purple ribbons and to see the sun set so far south of a coast I only knew as bitter and cold. I had finally gotten to Jamaica and while I was far away from that ten year old self, I couldn’t help but wonder where the character in the book had lived and what they were doing now. After all, the character must have been based on someone’s experience a long long time ago and to this day, I’m convinced of it.
The story shaped my musical path and the kinds of destinations I gravitated to for so many years and while part of me longed to dance the night away with purple ribbons woven through soft brunette braids, this journey was to experience a different side of Jamaica….the silent side.
The breeze began to move the wooden shutters in the French doors of my room which led out onto a stone patio which faced a windy Atlantic sea. As they moved, I could see the flickering light of early morning, the sun so much brighter and warmer than what greeted me at home.
Still fatigued by a long year of travel and transition, my groggy state stumbled towards the flickering light and slowly opened the door I forgot to bolt and as I did, the wind grabbed it away from me, blowing it wide open and with it, the other side.
I stood there in my black knickers and turquoise sleeveless top with the lace v-neck top that barely showed a tan line from the day before feeling the warmth on my face, completely aware of how healing it felt. Wiping my eyes, I heard the silence within the silence as I suddenly noticed a flock of tiny little yellowish white butterflies dancing in the sky, eye level between me and the bushes in front of my cottage.
I smiled as wide as a child does every minute of the day. No more racing, I thought. No more activities, I begged. No more to-do’s, asks, demands and bills I wished. Just butterflies, the here and now butterflies before me that were as precious as an unaware newborn.
Like a newborn would, I watched them buzz around the sky as if it were the most magical fairy tale ever seen. I breathed in the sun, gazing from left to right, taking in the lush green tree to my right, the crashing waves up against the rocks ahead of me and the bright pink bourgainvillea flowers that lay scattered around the gardens. They were everywhere in Jamaica and I never grew tired of seeing them.
The beach area to my right and left was known as Treasure Beach in the St. Elizabeth Parrish, one of 14 on the island. It is called the "Bread Basket" of Jamaica in that it is most known for its farming and fishing, and provides 80% of the agriculture in Jamaica. The grass and trees were lush and green for unlike the dry arid California that continued to face a drought, rain wasn’t a stranger to this land.
The rains often hit during the afternoons in the Fall and so mornings were typically glorious, loaded with sunshine, happy birds and dancing butterflies.
Not in the mood to open a laptop or cell phone, I looked around the room for something to bring with me to the Adirondack chair on the patio since I was oh so not ready to face other people’s voices just yet.
There were two fashion magazines on my bedside table and a Holy Bible underneath the night stand, something provided by the property. I realized at that moment that I hadn’t picked up a bible in at least a couple of decades and so with a curious but wry smile on my face, I grabbed it and slowly made my way outside.
While I do believe in God, I'm equally able to connect with atheists and agnostics for the simple reason that I believe that religion and religious dogma is the root of so much pain and destruction in the world, which has resulted in more division than unity. I probably subscribe to more of a Buddhist’s view of the world than anything else perhaps and within that context, I now see the bible as a fascinating book with poetic writing that can provide masterful insights into the mind of mankind and the instincts that drive his or her ego.
I read a few passages from Matthew and while beautifully written, I felt they didn’t provide as much guidance to someone lost or in need as Pema Chodron or Ken Wilbur does, at least for me. Lost in pure reflection, I closed my eyes as I felt the sun quickly heat up as early morning made its journey to mid-morning.
The sounds began to change, as simple as the pace of the wind and the waves which continued to crash upon the shore. Jamaica is the kind of place that makes it easy to believe in God or if you really can't go there, then a Universe that will provide exactly what you need when your heart is open to receive.
As I opened my eyes, fearful if I didn’t my mind would start racing on all the things that made me a slave to life rather than me creating one, I saw once again the dancing butterflies buzzing around, unaware of time and likely unaware of thought itself. I wanted to be that butterfly, full of so much energy and beauty, knowing that it brings the same pure smile to a baby as it would a 90 year old man, and even more importantly, for the same reason.
I wondered if butterflies knew that when they finally blossomed from their caterpillar state that they had such a short life to live and in that knowing, they focused on happiness and joy through the only ways they knew how…. by dancing lightly and freely through the air. Or, like the character in my Jamaican novel, did the butterfly not realize how short its life would be but simply decided to focus on painting a new canvas of life each and every day, one that would bring them and others around them pure joy?
For my Jamaican character, it was writing music and playing drums and for the Jamaican butterflies before my eyes on that beautiful morning, it was dancing through the sky as if thought didn’t exist and never would.
Perhaps my two Jamaican experiences would overlap after all, the fictional fairytale I had only known as a child and the real one that was as memorable and precious as the story, but rather than a life filled with music, it was also filled with silence. Both were equally perfect and both swept me away into a different land, where there was no time or space for thought, but only smiles, laughter and peace.
"The World Surrenders to a Silent Mind" -- Lao Tzu
That’s what life is like when you’re truly present I reminded myself, whether it’s a storybook character or a butterfly or you shedding your own wings, ready to fly away.
I nodded in gratitude to the Jamaica before me, the silent one, the one full of soft ocean breezes, dancing butterflies and Caribbean trees. I raised my hand to the sky, as if holding a glass of wine to make a toast.
“To Silence,” I said to the swarm of Jamaican-born butterflies, so unaware of the impact they had on me on one morning in their short lives. In return, they continued to dance before me as my smile got wider and wider. And then, I went back to that innocent and precious dream where butterflies, clouds, skies, fields of grass and music were all one.
Photo credit for butterfly dream image: www.photoshopcreative.co.uk.
November 09, 2015
Happy 50 Years to The Sound of Music
If you're over the age of 30, chances are you've not only heard of The Sound of Music, but likely grown up watching it with your family. While the birthplace of all it was in and around Salzburg Austria, oddly enough Austrians and Germans didn't grow up watching it nor did it create such a groundswell effect locally like it did in other countries.
In October, I was invited to Austria celebrate the 50th anniversary of The Sound of Music, which was originally released in 1965, a pivotal year for so many cultural and historical events.
Truth be told, I figured the movie (and musical) was more of a phenomena in the U.S. given its picture perfect Hollywood movie style with Julie Andrews at the helm, however on the ground in Salzburg, I learned that it was a huge hit in places you'd least expect it to be, like Australia and China.
We watched The Sound of Music every year as a family for as long as I remember and no doubt, as a child, I watched it more than once some years.
As a little girl, who can't relate to the "You are Sixteen" scene? Here, Liesl and Rolf sing this "coming of age" song in the romantic Gazebo setting as she looks to him for guidance at the start of womanhood.
While some women may roll their eyes at a scene that depicts a teenage girl being so wooed by a boy that she is putting all hopes in the notion of him "taking care of her," suggesting that she can't figure it out on her own, there's an inherent and natural softness and innocence that is so beautifully portrayed in the scene and so many of us can resonate with it regardless of where we hail.
Perhaps reliving the scene as I did in Salzburg this year, holds the same romantic and tender memory as it did over 40 years ago because of the fact that traditional role models defined by sex are falling away. All we're left with when the definitions of who does what is gone is the purity of another human being you fall in love with, sitting across from you each day.
And, getting support from the other isn't an act of weakness, but an act of strength especially when polar opposite energies (masculine/feminine) play their part in the story we call life, even if its not quite the fairy tale life Hollywood is so known for projecting.
Below, I return to childhood in the original gazebo, which we visited at night -- one of the many original filming sites of The Sound of Music movie.
The lovely calling of romance and the innocence of childhood is so compelling in this scene, particularly given the context and that it happens on the heals of Hitler and political turbulence during a volatile time for Austria.
"A bell is no bell 'til you ring it, A song is no song 'til you sing it, And love in your heart Wasn’t put there to stay - Love isn’t love 'Til you give it away."
You'll no doubt recognize the shot above as another memorable scene from the movie -- Schloss Leopoldskron and the façade facing the lake which represented the von Trapp residence.
It was in this majestic and historical building where they held the official press conference celebrating 50 years.
Speakers included four actors who played the von Trapp children -- Debbie Turner as Marta, Duane Chase who played Kurt, Heather Menzies played Louisa, Nicholas Hammond who played Friedrich, Johannes von Trapp, the youngest son of the von Trapp family in real life who lives in Vermont today, Governor Wilfried Haslauer, Mayor Heinz Schaden and the head of Salzburg Tourism Bert Brugger.
They held court upstairs in the Schloss Leopoldskron Palace's library, which dates back to 1736 and its ever so encompassing architectural details only added to the historical impact the movie has had on the world. Inside, while broadcast media set up cameras to film the event, I couldn't help but to be drawn in by Kleber's stucco work on the ceilings which has been described as “the best example of rococo stucco the land can offer”.
Below is a short video of Johannes von Trapp addressing attendees at the official press conference.
Johannes von Trapp, now 76, was incredibly charming as he sat at the helm in an Austrian uniform, recounting his memories and sharing tales of his own life, noting what was similar to the movie and what differed. For example, his family didn't really climb over the hills and trek across the border, but took a train and nor did Maria and the Colonel marry at St. Stephen's Cathedral in nearby Mondsee, which was where the famous church scene was shot towards the end of the film.
Afterwards, we hung out with the actors in front of the lake, the very same one with the gold statues we all remember so well from the von Trapp estate scenes.
Below, I'm gloriously positioned in between Johannes von Trapp and Nicholas Hammond, who continues to act and lives in the states. I did ask Nicholas to dance at the gala later a few times, but he politely turned me down, offering a stateside rain check, something that would no doubt be fun to take him up on someday.
With Heather Menzies at the Kulisse Salzburg (Festive Halls) cocktail reception gala, which preceded the grand finale event they held on Saturday October 17, 2015 in the Felsenreitschule.
With Nicholas Hammond at the Kulisse Salzburg terrace bar, which boasted incredible views of historical Salzburg beyond and below.
If all of this isn't nostalgic enough, group shots in front of the glorious Salzburg poster at the evening VIP reception was sure to give any attendee a melancholy moment or two.
Below, together with the other American journalists who flew in to cover the event. In total, there were 50 of us from 12 different countries.
While not a household name in the states, Uwe Kroger (below) is a known performer in Salzburg and plays Captain von Trapp in the most recent musical performance.
On-Stage Performance Brings Me Back in Time
This intoxicating gala brought me back in time, reliving all of those memorable Sound of Music moments I had as a child. Producer Carl Philip von Maldeghem and directors Andreas Gergen and Peter Ewaldt were behind the event, as was the Mozarteum Orchestra. The Mozarteum Orchestra provided the music, while soloists and the choir of the Landestheater stood alongside the original actors from the 1965 film.
Listen to Edelweiss from the main stage...
Climb Every Mountain
And now for my favorite, Do-Re-Mi (the lighting is terrible in the video, but the sound is captured well considering the size of the hall)
Together with Uwe Kroger, German-Serban singer Milica Jovanovic played Maria von Trapp which she has been doing since the 2012/2013 season.
At the end of the performance, original actors joined the stage, including Johannes von Trapp and his family (below). And, together, we sang. If I were to say participating and watching this extravaganza was moving, it would be a grave understatement. Bravo!
The Hills Are Alive: The Salzburgerland Road to Memory Lane
The tour of Sound of Music sites is definitely worth doing and Salzburg Panorama Tours are the most notable ones doing it.
Film locations include Mirabell Palace and Gardens, where Maria and the children dance and sing Do-Re-Mi, the Observation Terrace on the Monchsbert, where they sing a verse of Do-Re-Mi, Residenz Square where Maria sings "I have confidence in me," Summer Riding School (Festival Hall), where Captain von Trapp sings Edelweiss before fleeing to America and St. Peter's Cemetery where the family hides behind the tombstones.
Then there was Leopoldskron Palace which was used as the von Trapp villa as noted above, Frohnburg Palace, which is used as the garden gate, courtyard and facade of their villa, Untersberg, which is the opening and fleeing scene, Hellbrunn, which houses the original gazebo, Anif Palace, which can be seen in the opening scene, Hohenwerfen Castle, which is the backdrop for Do-Re-Mi, Mondsee and Mondsee Church (pictured below), where Maria runs to the convent and marries the captain, and Fuschl -- St. Gilgen -- St. Wolfgang, which are aerial shots you see at the beginning of the move.
Below, granddaughter of Maria and Captain Von Trapp, Elisabeth Von Trapp, joined our bus as we were ready to depart for the official Sound of Music tour to sing for us. Born and raised in Vermont, she has been singing since childhood and her voice has apparently enthralled audiences from European cathedrals to Washington D.C.’s Kennedy Center.
Below, you can catch a glimpse of it live -- be prepared to have your heart melt...
We hit all the sites, including those out of town, such as the charming town of Mondsee, a 30 or so minute drive from Salzburg. Below is St. Stephen's Cathedral where the wedding scene of Captain and Maria took place in the movie as noted above.
New Sound of Music Trail in Werfen
We were fortunate enough to visit the new Sound of Music Trail in Werfen, a day before it officially opened on October 18, 2015. Here, you see the stunning shooting location where the picnic scene with Julie Andrews was filmed, teaching the children to sing.
This area on the outskirts of Werfen is known as the Gschwandtanger. The Sound of Music Trail is 1.4 kilometers long, with 12 information stations along the way, many of which are interactive.
What's astonishing about these locations are not just the outstanding views (we were lucky to have a clear day when we reached the top), but the fact that it has been viewed via this famous movie by over one billion people from around the world.
Here, you also have an opportunity to discover the beauty of Salzburgerland's mountains and alpine pastures. There were children on-site also, which made for incredible photos against such a picturesque backdrop. Quite simply put, it was magical!
AHHH yes Salzburg, glorious Salzburg, thanks for the nostalgic moments and for allowing the rare opportunity to celebrate with the actors and producers who created a musical explosion that changed so many people's lives.
HAPPY BIRTHDAY SOUND OF MUSIC!!!
February 22, 2012
TEDxBerkeley 2012's Inspiring Innovation Merges Magic, BioData & Technology With Film, Oceans & Plants
Most people in my circles know what a TEDx event is but for those of you who don't, it is a local, self organized event that bring people together to share a TED-like experience, in the spirit of ideas worth spreading.
This video gives you an idea of what these non-profit events are like, which extend far beyond Berkeley. Cities around the world are organizing TEDx events, with a goal to teach, share, collaborate, educate, faciliate and grow. Ideas worth spreading means that some of these ideas can revolutionize (and have revolutionized) the world because of a new relationship or partnership that has evolved as a result of the wider distribution of these ideas and the courage and dedication of people behind making the 'magic' happen.
It's the second year I've been involved as co-curator of TEDxBerkeley, an event held at Berkeley's Zellerbach Hall every February. In attendance were well over 1,000 people from a broad range of disciplines and minds - from academic, music and science to medicine, technology and the arts.
15 ground-breaking thinkers, leaders and performers entertained and educated the audience through storytelling, performance and anecdotes from their life experiences.
Given that UC Berkeley is involved, so were some of the professors and students, including the opening act by DeCadence (pronounced dee-KAY-dence, with a capital ‘C’), a vocalist group that sports eye-catching blue and gold capes and creative dance moves at nearly every performance.
The musician in me couldn't help but call out music brilliance first and while we're on the topic of incredible voices, Charles Holt stole the stage with his storytelling and singing of "He Lives in You," my favorite Lion King number.
He had me at "go" is an understatement, largely because of his intuitive nature, the fact that he lives his life through that intuitive lense and his witty and incredibly honest stories of his mother and grandmother from the south, which will leave you crying and laughing at the same time.
From music to dance, Jodi Lomask then awed us through her dance troupe. Known for her work with an organization she founded called Capacitor 15 years ago, she works with world-renowned research scientists to create original dance works that draw attention to critical environmental issues.
I think about people I know who spend their life committed to understanding oceans and I think about the moment it was for me that I got one step closer: deep sea diving off the coast of Australia some 60 or so feet below the surface. In that world, that remarkable world, you truly understand the beauty of a world we need to cherish and preserve.
Her dancers showed us that beauty through a combination of violin, dance movements in and outside of rings in somewhat of a Cirque du Soleil style and environmental videos, all creating an outer world exerience for us to share.
One of my favorite moments of the performance is below...the intertwining of minds, hearts and bodies.
Also involved in conservation and the environment was Dr. Maria Fadiman who I had the pleasure of setting up with a new Twitter account (social media will get us all, the deep hidden voice says, lurking in the background), is a fascinating combination of geologist, comedian, nature lover and ethnobotanist, her work focuses on the relationship between people and plants.
From South Florida, her style was very informal for an academic crowd yet had people laughing as she pounced onto the stage with a machete in hand, telling one humorous story after another of her time in the jungle, the majority of her time spent in the rainforests of Latin America.
She has worked with Tibetan children in teaching them to record their own ethnobotanical traditions and is currently working on a global scale cross cultural study of people’s use of a cultural keystone species (the flora and fauna that are deemed important to the survival of a culture), and how these plants can act as larger ecosystem preservation incentives.
Digital fabrication is where you change the rules about how things are made, referencing 3D printers, showing us examples of various things which can be printed into a variety of materials, including rubber, plastic and metal.
It's amazing what can be printed on a 3D printer now...I ran into BitTorrent's Bram Cohen at SF Music Tech who showed me a very interesting 3D ring he was wearing on his finger. Additionally, imagine 3D buildings and even a 3D-printed human kidney.
We also heard about the rise of information, aka the wisdom of the crowds and the wisdom of the 'cloud.' Not only are we all becoming creators in our own way on our own personal platforms, but we're becoming curators as well.
Then, ARZU's Connie Duckworth, who took the stage in vibrant red, focused on international development sharing things learned from her work in Afghanistan. She says of the current state of international development:
- The international development industry is dysfunctional.
- Big money brings big unintended consequences.
- Hope can’t thrive in the world’s worse places.
She believes that we have an urgent call to change the structure of the international development industry, which holds in its hands the lives of billions of people at the bottom of the pyramid.
Their thinking is that somehow inherently flawed short term thinking will move into sustainable systems. Big money when not hosed in the right direction can create a lot of chaos. She asserts that its a key reason that so many people lose so much faith in their government.
She refers to another unintended consequence of big money going to the wrong places: Brain Tilt, which is when the most highly educated local people (engineers, professors, doctors), all end up working for expats in low level positions. Local smart people are working as drivers and clerks rather than working in higher level positions because they can get paid so much more in the other positions.
Connie defines the quest for peace as security. “We all see the world through our own lens of experience, so for me, success all starts with a job. This is how people start with a way to solve those basic level needs, such as the ability to eat and feed their family.” She encouraged the audience not to just sit back and want peace, but believe in it and take action.
Rather than focus on money, we wanted to focus on giving, in other words, the idea of unleashing the power of compassion capital. “Once you unleash compassion,” he says, it’s amazing what happens. “Stay focused on adding value and discovered untapped capital.”
When small acts of giftivism get connected and activated, it rekindles a gift economy. A gift culture, he says, is marked by four key shifts:
- Shift from Consumption to Contribution – Instead of asking “what can I get,” open with “What can I give?” He says if you open each door with a different question, about what can you give, it changes the entire dynamics.
- Shift from Transaction to Trust: Build synergy. He refers to Karma Kitchen, a restaurant in Berkeley, where you pay for the people ahead of you or behind you rather than for your own bill. 26,000 meals so far and people continue to pay it forward.
- Shift from Isolation to Community: it is not enough that we connect, but rather how we connect. When you serve other people together, you create a network of ‘gift ties.’
- Shift from Scarcity to Abundance: Cultivate inner transformation to arrive at enough. “There is enough for everyone’s need but not enough for everyone’s greed.”
Hear hear Nipun. From gift economies, we shifted to Gopi Kallayil from Google who talked about the power of social and a connected world, particularly during the 18 days of the Egyptian protests, showing us a video where Desmond Tutu is talking to the Dalai Lama on Google+, a clip which has now been watched 2 million times. This is a great example of how social media is driving innovation around the world.
We saw examples from Libya and Kenya to South Africa and Egypt, where during the protests, they were able to express how they really felt and more importantly, people were able to listen to those words on YouTube and other platforms. They sang, “the most important thing is our right and writing our history with our blood – if you were one of us, better not blabber and tell us to go away and leave our dream and stop saying the word “I”. In every street in my country, the sound of freedom is calling. In every street in my country, the sound of freedom is calling.” Powerful stuff.
From the vantage point of healthcare, intuition and communications, Dr. Neha Sangwan encourages everyone to be proud of yourself for "listening to yourself." Often, listening to ourself comes second to listening to opinions of others, whether they be friends and family or a doctor we're seeing for a particular issue.
She asks, "what if communication is the cure that we're missing? What is the way we talk to ourselves & whether we choose to lean into our discomfort & show up in the world? What is this is the prescription for health long before I need to write you a prescription?"
Her talk was highly emotional as she brought us a journey around the world to the Middle East, where she spoke to women, sharing with us insights she learned about their world, their pride and in turn, what we can learn from them in the western world.
A professor at Berkeley, Ken Goldberg who closed the talks, on nothing other than robots. Yes, robots...and what we can learn from them. As someone who worked in speech recognition for years and did a project for the Willow Garage guys (I love PR2 and even danced with one), I was eager to hear his insights.
Ken thinks robots can inspire us and that we have a lot to learn from them. Some of those insights from various projects over the years include: always question assumptions. It's amazing how quick we are to turn to other people's assumptions and make decisions based on them without digging deeper. Secondly, when in doubt, improvise.
I couldn't help but smile but when i realized that both of these recommendations btw are great ones for start-ups as well as for children. So is tihs one: When your path is blocked, pivot. In start-up culture, we learn to pivot a lot, something that Fortune 500 companies should pay more attention to...
Author and thought leader David Ewing Duncan focused on DATA and how do we make sense of it all?', something he thinks is an awesome achievement of humanity, for 'better or worse.'
Because of his background, he centered his talk around bio-data. He points out that today, we can get a micro-analysis of our blood work, which can tell us how just whether we have a high chance of cancer and chronic diseases, but how empathetic we are as human beings. He notes "more experiences, more tests leads to more data."
But, as so many of us know, we have so much data, that its often overwhelming, so much so we can't make sense of the data we have at our fingertips. This is David's point.
Whats needed, he asserts is a new mindset in every occupation. "Enough of all this data, what does this data actually mean?" he says. "We need a revolution in interpreting the tools and the data as well as a radical shift in resources. In other words, how do we go about testing 42,000 genetic traits?"
Clearly, we need a radical shift in resources. There's only 4% invested on translational medicine and he thinks there needs to be a reversal in resource allocation. He also pointed to trends in the future for all the students sitting in the hall: "we're going to need 500 million analysts in 6 years and we only have 100 million today." Clearly, these are the people who are going to be well versed at making sense of all that data and transforming it into something usable and most importantly, actionable by individuals.
Tapan Parikh, a Berkeley University professor brought us back into traditional technology and current trends. Tapan’s research interests include human-computer interaction (HCI), mobile computing, speech UIs and information systems for microfinance, smallholder agriculture and global health.
He showed us photographs and results of some of his work in rural areas. Of his latest projects, Tapan has been designing, developing and deploying information systems in the rural developing world – initially in India, and now also in Latin America and Africa.
Tapan and his students have started several technology companies serving rural communities and the development sector. It was inspirational to see what they have accomplished so far and to see what is possible with resources, tearing down silos, sharing among communities and better access.
What he hopes to represent is the notion of showing respect for where you come from. He says, "Pick a challenge that is important to you" (for him, it was setting up real-time video conferencing, knowledge sharing and instant messaging in India), "and stick to it." He adds, "Don't assume you know what people need for their development - let them speak up, don't act for them."
I was thrilled that Tiffany Shlain was able to join us this year as I've always been a fan of her work. She has been making films for 20 years, and some of them have hit Sundance, Tribeca, Rotterdam and others and her films have won over 36 film festival awards.
Tiffany says, "each time we were able to change the way we recorded film and show reality, we were able to change reality itself."
She showed us snippets from her most recent film: Connected: An Autoblogography About Love, Death & Technology, A Declaration of Interdependence.” Connected had its U.S. theatrical tour this past fall and is now available for people to host their own screenings.
The U.S. Department of State’s Bureau of Educational and Cultural Affairs and the University of Southern California’s School of Cinematic Arts (SCA) announced earlier this month the 29 films selected for the American Film Showcase, an international cultural diplomacy initiative that brings people together worldwide through film and Connected made the list.
The movie is enlightening and sad at the same time, taking us deep into what is happening around us in a connected world and how technology is shaping and reshaping us. Bravo!! I have a love/hate relationship with technology myself -- the timing of this film couldn't be more perfect.
"Do something radical and true," she says. "We as humans should declare our human interdependence." Film projects they're working on for others are centered on life's most emotional topics: engagement, power, money, wisdom, death, inspiration, the brain and others.
Now that we're back to Entertainment, the E in TED, the last two speakers this year were performers: magician Robert Strong and violinist Lindsey Stirling.
Robert Strong is known as 'The Comedy Magician' and in watching him, it's so clear that magic is his life passion. He has performed on every major television network, in more than 40 different countries, in all 50 states, and twice at the White House.
I never paid much attention to the word magic until I renamed my own consultancy with Magic in the name. Now, I see 'magic' everywhere and am a true believer that perception is reality and that we can create any outcome we want through our own belief systems.
Lindsey Stirling, who I first saw play at Idea Festival in Kentucky last fall, is often referred to as the Hip Hop Violinist. Her passion, energy, and presence is magnetic, so much so, that you can't help but want to get up on stage and dance as she jumps around, violin and all, around you. Here's some background on her work. Let's just say that I'm a huge fan.
Check out last year's (2011) TEDxBerkeley talks on video. And a few talks from last year to get you inspired were Chip Conley on remembering that we're human in business, Anat Baniel on flexibility and vitality, Lopas Brunjes on carbon reduction, Bryan Alvarez on living organisms in our body, and Shore Slocum on spiritual awakening and awareness and how this can transform your everyday life.
February 22, 2012 in America The Free, Arts & Creative Stuff, Conference Highlights, Entertainment/Media, Europe, Events, Magic Sauce Media, Music, On Education, On Health, On Innovation, On People & Life, On Poems, Literature & Stuff, On Robotics, On Technology, On the Future, San Francisco, Social Media, WBTW, Web 2.0 | Permalink | Comments (0) | TrackBack
November 23, 2011
Startups Pitch & Strutt Their Stuff at MUSIC Techpitch 4.5 in London
Recently, The Next Web reported 8 startups had been selected for MUSIC techpitch 4.5 in London. After a series of 3-minute pitches and Q&A sessions, Webdoc, an easy and creative way to share rich-media all in one place, emerged as the winner.
It took place at EMI’s HQ in Kensington, startups had an opportunity to get the word out about their ideas to investors, one of which was an opportunity to participate in an investment meeting arranged by Par Equity, which is one of the largest investment networks in Scotland.
While 3 minutes isn't long (less than half the time of the on-stage DEMO pitches), it is in fact longer than 140 characters. Trust me, I'm a fan of in-depth pieces and features articles; I still have a hard time cranking out short blog posts, yet I'm also prolific on Twitter...tweeting is a great exercise even if you're not a Twittaholic because it forces you to say more with less and trains you to write better headlines.
Enuf said. 3 minutes is enough time for an elevator pitch and most companies don't have them nailed even when they know an investor is listening. Also check out Dave McClure’s 10 tips for the perfect investment pitch.
Other startups which got call outs included Dizzyjam, an online service for independent music artists to create and sell their own merchandise and Hitlantis who presented a unique way of visualizing and discovering new music.
September 15, 2011
SF MusicTech Summit & MOG: New Offer of FREE Music To Subscriptions
In fact, they had a very cool (and glitzy - tons of bling bling) truck in the parking lot of the Kabuki Hotel.
MOG is a subscription music service based in Berkeley, California and they just announced a free music service that will supplement its $5-a-month unlimited streaming plan and $10-a-month unlimited mobile music offering.
Starting immediately, MOG is giving new users a kind of digital gas tank they can use to listen to tracks from its library of 11 million songs.
Sharing songs, making playlists and other actions get users more gas while listening uses it up. Having more friends or followers multiplies the gas-earning effects of a user's activity.
MOG's free system revamps what had been a 14-day free trial and puts it in competition with Spotify, a Swedish subscription music plan that is popular in Europe. Spotify launched in the U.S. in July and has a free service that is limited by listening time caps in some countries.
MOG's move also comes ahead of an event on Sept. 22 at which Facebook is expected to announce a new set of tools for music services that the social network hopes will bolster it as a platform for sharing musical tastes with friends.
MOG and services such as Spotify, Rhapsody, Rdio and Muve Music allow paying customers to download an unlimited number of songs to mobile devices – most of them for $10 a month. Users can listen to the tracks outside of cellphone coverage areas, but access disappears if the subscription is dropped. Music companies are licensing songs to these services in order to promote the fledgling business since purchases of tracks and albums over services like iTunes and Amazon.com have not made up for a decade-long decline in CD sales.
Above summary reposted from HuffPost. You can read the rest of it here.
August 22, 2011
The Music Doesn't STOP in Budapest!
I feel as if I'm about ten, have just come back from music camp and my life is full of endless possibilities. It's as if I fell upon a candy fountain oozing with different vibes and rhythms from around the world, and they're firing out rainbows of melodies, each one asking me to be part of its creation.
This isn't a mash-up and I'm not even online. All day, I wandered the streets of Budapest getting fed, not with food, but with song. The soul is so full after a day of song that it forgets about food, even with plenty of it around.
With Vienna only a couple of hours away, I felt as if I could have been within its walls, the music permeatration was so intense. Yet, it's not Vienna, but -- some would say -- its less cultured cousin, Budapest, split by the Danube River so that Budapest doesn't even call its city its own entirely - one side gets Buda and the other gets Pest.
My first and only memory of the place was in the mid-eighties and music was first and foremost in my mind, even in an era when East Europe was mostly gray and full of restrictions. I was very young and had not yet been exposed to composition -- REAL composition that is, despite the fact that both art and music teachers had tried. We were in some traditional old world restaurant eating goose & duck and drinking Cabernet before I knew you could have orgasms on the stuff. Around us swam violin players who played throughout the entire meal, one which lasted six hours long and ended with a $25 bill including several deep, luscious reds.
I remembered the violin because both players were so damn good. Every form of expression, whether it be on the keyboard, or on a blank white canvas, happens for me at a visceral level. Back then however, I wouldn't have known a great violin player from a good one and yet, I was stopped in my tracks.
The musicians forced me to stop eating and pay attention. They forced me to understand composition. They forced me to cry at their nearly perfect musical offering. They forced me to hear their texture, whether I was in the mood or ready to understand it or not.
Exceptional talent forces great things on you when you're ready to listen, which I almost always have been, other shortcomings aside.
Exceptional talent stops you in your tracks and then somehow, you're fundamentally changed because you listened and because you heard what they had to say.
Budapest spoke to me all day, starting with folk music at the top of the hill in some enclave within Buda Castle. It was "okay" (better than average), most definitely 'local' but more than anything else, the musicians were committed. God, I love that word. (it's probably because I live on the west coast of America now where I feel as if I'm swimming among the least committed people I've ever settled down with and that's after spending time "settling" in 11 countries).
After the "okay but very committed" folk music performance, I fell upon traditional music which included the top Hungarian dancers from around the world, each one doing a chosen number within a three hour period. All of them were, yes...you got it, committed.
Each in their native custume attire, they flew out on stage ready to perform, none of them fearful or worried about people shooting them with a still or video camera, none of them caring where their "performance -- their committed performance" would show up.
In the states, where the Internet and social media reign, its amazing how much performers care about the potential publicity a 2 minute clip would lose in revenue despite how much publicity and connection it would generate. Then there's their publicists, agents, handlers and middle men.
The Hungarian performers said "bring it on," as their committed selves showed up and played 200% in front of the camera and when the light was no longer green. I get that Hungarian culture doesn't embrace entrepreneurship and so you could argue that their lack of loving green paper has kept them behind socially and economically.
Having an entrepeneur spirit myself, there's no question when I saw a tent loaded with interesting pottery created by the Secondary Technical-Vocational School of Folk Arts and Secondary Academic Grammar School, that I was annoyed that the art was not for sale when every other tent was collecting money for their 'creations.' Let them sell I, I thought. "Teach them entrepreneurship. Profits from their pottery could go towards a future dream," I said to the late thirty-something very blue-eyed woman who struggled with my response. (Below, their beautiful masterpieces)
I knew she understood some of what I said but also knew that my plea was one that would be noted but not transferred into something actionable in the next 60 days, and so I made my pitch, told her the work was stunning and moved on.
From folk to traditional to guitar (one called the ZITHER, which had me mezmorized in the same way that the Indonesian gamelan does does), to world music and Mbaye Ndiaye & the Afro Magic Band, which has its roots from Senegal but did a nice job blending African, reggae, jazz and global fusion together.
Within the hour, I was up on stage dancing with their lead drummer (solo btw) and shortly thereafter dancing with Gabor stage right, a blue-eyed Russian, who while may have been adorable, had so much alcohol on his breath that I had to politely decline after our first attempt at a cha cha to a slow-ish African jazz number.
The performers went out of their way to bring the children on stage and coach them on not just how to dance, but how to move by feeling their way to the rhythm simply by listening. It was fascinating and I loved every minute of it.
I was sorry to see Mbaye Ndiaye pack up...their energy and spirit only made me crave more of it. And so, I meandered over to another area of the massive hill which houses the castle only to discover more folk dancing and guitar, soon to be followed by traditional Gypsy (also spelled Gipsy) music which carried on for another 3 hours.
While it may be hard to dance on uneven cobblestone ground that is well over 500 years old, it was even harder not to try. I ran into a Scientologist who looked like Joseph (yes, Jesus' Joseph) who was selling corn on the cob while simultaneously trying to convert me in VERY broken English, all while tapping his foot to the Gypsy band.
I had already gleefully become ten again and full before I left the castle, when I suddenly fell upon more live music. I was on a search for one of the old world bars, bistros, cafes or restaurants recommended by my host, friends and a bunch of online pals who sent me great suggestions via Twitter and Facebook.
I had crossed the chain bridge, hung a right looking for the decadent chocolate stand on the street (she must only set up on Friday and Saturday nights I quietly cursed), knowing that I had been thinking about that dark chocolate pistachio and cranberry creation for half the day. I asked for directions from a local cafe to two different locations and was told it was a 25 minute walk.
The backpack was heavy with camera lenses and a fabulous set of hand-painted coasters I picked up with a local artist along the way, yet I was in it for the haul, so re-adjusted my bag and foot bandaids (necessary for any Europe trip where you're wearing sandals and plan to do a lot of walking) and began my journey towards my Hungarian bistro on the other side of town.
And then I heard it. Clapping. Voices. Cello. Violin. The violin...ahhh, it purred. This was no ordinary violinist, something I could tell from four blocks away. I was told to scout down Lakatos and hear him play if he was in town for a performance but little did I know that I'd get a surprise I hadn't anticipated: Zoltan Maga accompanied by the Vac Symphony Orchestra, playing outside the Szent Istvan Bazilika, a church named for Saint Stephen I, the first King of Hungary.
Imagine the scene: a gorgeous, ancient white-stoned church named after a Hungarian King on a warm summer night.
The moon was out, glistening over hundreds of people sitting outside, sprawled on chairs and the ground while an orchestra of cellos, violins, tubas, saxophones and clarinets played. Zoltan Maga's passion was addictive as his talent for the violin led the way, together with the conductor and nothing -- I mean nothing -- could have distracted you from the two hours of musical joy.
What I failed to remember is the influence of Austrian music greats at the time when Hungary used to be part of the Austro-Hungarian empire. Because of that, people appreciate classical music and embrace it. The country combines composers (Mozart, Beethoven, Haydn) coming from Austria/Germany with strong Hungarian folk and gypsy blends.
AND, Hungary has its own greats, the most famous being Liszt, followed by Bartok, two of the all-time greats. Kodaly is probably next followed by Kurtag and Ligeti, who are two of the most prominent classical composers from the last 60 years -- both Hungarian.
To top it off, they have an amazing number of top-rank conductors: Ormandy, Szell, Dorati, Solti, Reiner, Kertesz, and Fischer. And then there's their pianists: Kocsis, Schiff, Fricsay.
Crikey, it's no wonder I felt like ten, that the world has endless possibilities and that incredible talent was following me around the city all day -- and night.
Thanks Budapest for the incredible memories and the musical talent, all of which was infused with so much passion and commitment that it made me dream of practicing piano again and the idea of searching for a saxophone teacher as soon I got home.
Below, Zoltan Krulik and the Makam Band!
June 22, 2011
140Conf Ends With Music & Singing at the 92nd YThe 140 Conference in New York last week ends with music and singing at the 92nd Y...a kudos to Jeff Pulver and his fabulous team for yet another great event.
June 02, 2011
Meet Steamboat Ed's Aetheric Musical Machine: Calliope #5Below is a little history and the story behind Steamboat Ed and his Aetheric Musical Machine. Ed and friends were at the annual Maker Faire in May. Instruments emitting fire are not new adn have been made for over a century. They are, however, uncommon. Calliope #4 is a Pyrophone since it's not intended for team, but for air or propane. With propane, the whistles emit FIRE, when tooting, hence the "pyrophone.' His whistles are Helmholz resonators, chosen because he discovered an excellent tutorial describing them. His whistles are activated with solenoid valves that he found on eBay. More in the short video below.
Here are some photos of his work in action.
May 29, 2011
Justin Bieber Documentary Surreal At Times, But Surprisingly Good
If you’re over 25, chances are your heart isn’t beating wildly every time you hear the name Justin Bieber, yet for millions of kids – mostly girls – this teenage sensation is a heartthrob. Watching it brought back memories to my own teenage sensations; unlike other girls, I didn’t have Lief Garrett and Bobby Benson plastered on my ceiling, but they were likely scattered on the wall in between photos of nature and fashion.
I’m not quite sure I ever shared the same pitter patter for teenage rockstars although I did melt at Michael Jackson, but it had to do with his dancing and ability to steal a stage with movement, motion and passion more than it had to do with a dream of marrying him one day. His voice had a way of melting you too – then and throughout his life.
Throughout the Justin Bieber documentary, we heard again and again how many girls wanted and in some cases, expected to marry him one day. Scooter Braun discovered him on YouTube in 2008 at age 12 from a series of videos he had posted and flew him down to Atlanta for a week long “conversation.”
Mix dedicated visits to radio stations and high schools around the country with social networking and four years later, Justin managed to sell out of Madison Times Square faster than any star with as much experience in history.
A great marketing decision by someone, a tradition was created where Justin sings One Less Lonely Girl at each concert to a girl in the audience – on stage, while giving her attention including a dozen red roses. The other smart marketing move is handing out free tickets to families for each tour he does. A great marketing idea by Snoop Dog as shared in the movie was having Justin grow his hair long, pony tail them up or braid them. He says, “it’s one more thing he can use in his toolbox.” I couldn’t help but laugh, because he’s spot on.