Kavaleer: A FORCE Behind Animation, Short Films, TV Series, Design & Interactive

I first met Andrew Kavanagh during a trip to Dublin a couple of years ago. Introduced to me as someone "interesting to know and meet" because I expressed an interest in arts and culture and write about it regularly, I was pleasantly surprised to discover an expansive world of expertise which unfolded as a result of a one-time "pub" meeting.

He drew an impressive animation sketch for me in some Irish pub way back when and so it comes to pass that Andrew is a huge creative force behind Kavaleer Productions, a well known, savvy and talented studio group, who have created a top notch reputation in the film, design, interactive, animation and television space around the globe.

We had the fortune of spending time together in Austin recently so I could learn about their latest updates. While most known for their creation of award–winning film and television projects, Kavaleer also creates animation, interactive and design services. Aside from creating their own TV shows, where they have been twice nominated for an Irish Film and Television Award and a British Animation Award, their film work has been selected by over 100 international festivals over the past ten years. Impressive, non?  

Interactive has been increasingly playing a major role which is no surprise given what is having on the investment front in Silicon Valley, LA, London and beyond. Kavaleer is also a seasoned provider of interactive content and apps for the e-learning and games sector; no surprise given what's happening in the games industry recently.

In 2009 alone, Interactive services accounted for half of their turnover, so much so that they started developing their own apps in 2011. They have also developed a reputation for their e-learning work, a portfolio of apps that range from Sesame Street workshops (Elmo ABCs) to Disney and the e-entertainment world. 

While these guys may be based in Ireland, their work is known globally. They continue to work closely with HMH on their Destination Math, Fusion Science and Texas Language Arts programs and have been providing San Francisco-based Playfirst Games with content for their hit iPhone /iPad based‘DASH’ games for the past year.

Kavaleer also produced an accessibility game for South Dublin County Council ‘Jobot’s Access All Areas’ which was shortlisted for a Chambers Ireland Excellence in Local Government Award.   

They're not shy about short film production either. Some of their latest results include the following "shorts."

In addition to film "shorts" and the fact that they're known for their work with Sesame Street on the TV side, they're also behind other TV series including: Bed Heads, theAbadas! (the adventures of Hari the Hippo, Seren the Bat and Ela the Fox), Garth & Bev (time-traveling siblings Garth and Bev live in harmony with nature in a village), Lifeboat Luke, which is set in and around the small seaside community of Donaghadoo, and So Mortified. 

They've been around for ten years yet because their creative work is "so behind the scenes," many not be aware of their studio name or their incredible work. While Kavaleer has awards behind their name and a global reputation, Ireland has no shortage of talent in this space.

While many know Ireland to be a country of storytellers, I wonder how many realize its rich history in cinema, television, mobile, games and film. Ireland's animation and digital media sectors are growing both in size and reputation around the globe. For example, Brown Bag Films animated short, Granny O'Grimm's Sleeping Beauty, and Cartoon Saloon's animated feature film, The Secret of Kells, both secured Oscar-nominations in 2010. For more on Kavaleer, check out their work and blog. For more on Irish screen producers, take a meander here and for general information on the Irish Film Board, visit their site for more details.

Dastoli's "Machines of the Working Class" at SXSW

Robert and James Dastoli are identical twin brother filmmakers hailing from Los Angeles whose short film "Machines of the Working Class" will be part of the SXSW Midnight Shorts program on March 9th, 10th and 16th, 2012.

The two minute short features practically built robots having an unusually profane conversation. SXSW marks the fifth flm festival screening of Machines of the Working Class in the past year, with a screening at the Florida Film Festival coming up in April.  

 Check out their amusing behind the scenes featurette on YouTube here. 

TEDxBerkeley 2012's Inspiring Innovation Merges Magic, BioData & Technology With Film, Oceans & Plants

Most people in my circles know what a TEDx event is but for those of you who don't, it is a local, self organized event that bring people together to share a TED-like experience, in the spirit of ideas worth spreading.

This video gives you an idea of what these non-profit events are like, which extend far beyond Berkeley. Cities around the world are organizing TEDx events, with a goal to teach, share, collaborate, educate, faciliate and grow. Ideas worth spreading means that some of these ideas can revolutionize (and have revolutionized) the world because of a new relationship or partnership that has evolved as a result of the wider distribution of these ideas and the courage and dedication of people behind making the 'magic' happen.

It's the second year I've been involved as co-curator of TEDxBerkeley, an event held at Berkeley's Zellerbach Hall every February. In attendance were well over 1,000 people from a broad range of disciplines and minds - from academic, music and science to medicine, technology and the arts.

15 ground-breaking thinkers, leaders and performers entertained and educated the audience through storytelling, performance and anecdotes from their life experiences.

Given that UC Berkeley is involved, so were some of the professors and students, including the opening act by DeCadence (pronounced dee-KAY-dence, with a capital ‘C’), a vocalist group that sports eye-catching blue and gold capes and creative dance moves at nearly every performance.

The musician in me couldn't help but call out music brilliance first and while we're on the topic of incredible voices, Charles Holt stole the stage with his storytelling and singing of "He Lives in You," my favorite Lion King number.  

He had me at "go" is an understatement, largely because of his intuitive nature, the fact that he lives his life through that intuitive lense and his witty and incredibly honest stories of his mother and grandmother from the south, which will leave you crying and laughing at the same time.

From music to dance, Jodi Lomask then awed us through her dance troupe. Known for her work with an organization she founded called Capacitor 15 years ago, she works with world-renowned research scientists to create original dance works that draw attention to critical environmental issues. 

I think about people I know who spend their life committed to understanding oceans and I think about the moment it was for me that I got one step closer: deep sea diving off the coast of Australia some 60 or so feet below the surface. In that world, that remarkable world, you truly understand the beauty of a world we need to cherish and preserve.

Her dancers showed us that beauty through a combination of violin, dance movements in and outside of rings in somewhat of a Cirque du Soleil style and environmental videos, all creating an outer world exerience for us to share.

One of my favorite moments of the performance is below...the intertwining of minds, hearts and bodies.

Also involved in conservation and the environment was Dr. Maria Fadiman who I had the pleasure of setting up with a new Twitter account (social media will get us all, the deep hidden voice says, lurking in the background), is a fascinating combination of geologist, comedian, nature lover and ethnobotanist, her work focuses on the relationship between people and plants.

From South Florida, her style was very informal for an academic crowd yet had people laughing as she pounced onto the stage with a machete in hand, telling one humorous story after another of her time in the jungle, the majority of her time spent in the rainforests of Latin America.

She has worked with Tibetan children in teaching them to record their own ethnobotanical traditions and is currently working on a global scale cross cultural study of people’s use of a cultural keystone species (the flora and fauna that are deemed important to the survival of a culture), and how these plants can act as larger ecosystem preservation incentives.

AutoDesk's CEO Carl Bass walked us through five trends of innovation, using Kickstarter and Moon Express one example of companies doing something extremely unusual. 

Digital fabrication is where you change the rules about how things are made, referencing 3D printers, showing us examples of various things which can be printed into a variety of materials, including rubber, plastic and metal.

It's amazing what can be printed on a 3D printer now...I ran into BitTorrent's Bram Cohen at SF Music Tech who showed me a very interesting 3D ring he was wearing on his finger. Additionally, imagine 3D buildings and even a 3D-printed human kidney. 

We also heard about the rise of information, aka the wisdom of the crowds and the wisdom of the 'cloud.' Not only are we all becoming creators in our own way on our own personal platforms, but we're becoming curators as well.  

Then, ARZU's Connie Duckworth, who took the stage in vibrant red, focused on international development sharing things learned from her work in Afghanistan. She says of the current state of international development:

• The international development industry is dysfunctional.
• Big money brings big unintended consequences.
• Hope can’t thrive in the world’s worse places.

She believes that we have an urgent call to change the structure of the international development industry, which holds in its hands the lives of billions of people at the bottom of the pyramid.

Their thinking is that somehow inherently flawed short term thinking will move into sustainable systems. Big money when not hosed in the right direction can create a lot of chaos. She asserts that its a key reason that so many people lose so much faith in their government.

She refers to another unintended consequence of big money going to the wrong places: Brain Tilt, which is when the most highly educated local people (engineers, professors, doctors), all end up working for expats in low level positions. Local smart people are working as drivers and clerks rather than working in higher level positions because they can get paid so much more in the other positions.

Connie defines the quest for peace as security. “We all see the world through our own lens of experience, so for me, success all starts with a job. This is how people start with a way to solve those basic level needs, such as the ability to eat and feed their family.”  She encouraged the audience not to just sit back and want peace, but believe in it and take action.

We went on a gratitude journey with Nipun Nehta of Service Space who asked us how we could all have more "Gif-tiv-ism" in the world?

Rather than focus on money, we wanted to focus on giving, in other words, the idea of unleashing the power of compassion capital. “Once you unleash compassion,” he says, it’s amazing what happens. “Stay focused on adding value and discovered untapped capital.”

When small acts of giftivism get connected and activated, it rekindles a gift economy. A gift culture, he says, is marked by four key shifts:

• Shift from Consumption to Contribution – Instead of asking “what can I get,” open with “What can I give?” He says if you open each door with a different question, about what can you give, it changes the entire dynamics.  
• Shift from Transaction to Trust: Build synergy. He refers to Karma Kitchen, a restaurant in Berkeley, where you pay for the people ahead of you or behind you rather than for your own bill. 26,000 meals so far and  people continue to pay it forward.
• Shift from Isolation to Community: it is not enough that we connect, but rather how we connect.  When you serve other people together, you create a network of ‘gift ties.’
• Shift from Scarcity to Abundance: Cultivate inner transformation to arrive at enough. “There is enough for everyone’s need but not enough for everyone’s greed.” 

Hear hear Nipun. From gift economies, we shifted to Gopi Kallayil from Google who talked about the power of social and a connected world, particularly during the 18 days of the Egyptian protests, showing us a video where Desmond Tutu is talking to the Dalai Lama on Google+, a clip which has now been watched 2 million times. This is a great example of how social media is driving innovation around the world. 

We saw examples from Libya and Kenya to South Africa and Egypt, where during the protests, they were able to express how they really felt and more importantly, people were able to listen to those words on YouTube and other platforms. They sang, “the most important thing is our right and writing our history with our blood – if you were one of us, better not blabber and tell us to go away and leave our dream and stop saying the word “I”. In every street in my country, the sound of freedom is calling. In every street in my country, the sound of freedom is calling.” Powerful stuff.  

From the vantage point of healthcare, intuition and communications, Dr. Neha Sangwan encourages everyone to be proud of yourself for "listening to yourself." Often, listening to ourself comes second to listening to opinions of others, whether they be friends and family or a doctor we're seeing for a particular issue.

She asks, "what if communication is the cure that we're missing? What is the way we talk to ourselves & whether we choose to lean into our discomfort & show up in the world? What is this is the prescription for health long before I need to write you a prescription?"

Her talk was highly emotional as she brought us a journey around the world to the Middle East, where she spoke to women, sharing with us insights she learned about their world, their pride and in turn, what we can learn from them in the western world.

A professor at Berkeley, Ken Goldberg who closed the talks, on nothing other than robots. Yes, robots...and what we can learn from them. As someone who worked in speech recognition for years and did a project for the Willow Garage guys (I love PR2 and even danced with one), I was eager to hear his insights.

Ken thinks robots can inspire us and that we have a lot to learn from them. Some of those insights from various projects over the years include: always question assumptions. It's amazing how quick we are to turn to other people's assumptions and make decisions based on them without digging deeper. Secondly, when in doubt, improvise.

I couldn't help but smile but when i realized that both of these recommendations btw are great ones for start-ups as well as for children. So is tihs one: When your path is blocked, pivot. In start-up culture, we learn to pivot a lot, something that Fortune 500 companies should pay more attention to...

Author and thought leader David Ewing Duncan focused on DATA and how do we make sense of it all?', something he thinks is an awesome achievement of humanity, for 'better or worse.'

Because of his background, he centered his talk around bio-data. He points out that today, we can get a micro-analysis of our blood work, which can tell us how just whether we have a high chance of cancer and chronic diseases, but how empathetic we are as human beings. He notes "more experiences, more tests leads to more data."

But, as so many of us know, we have so much data, that its often overwhelming, so much so we can't make sense of the data we have at our fingertips. This is David's point.

Whats needed, he asserts is a new mindset in every occupation. "Enough of all this data, what does this data actually mean?" he says. "We need a revolution in interpreting the tools and the data as well as a radical shift in resources. In other words, how do we go about testing 42,000 genetic traits?"

Clearly, we need a radical shift in resources. There's only 4% invested on translational medicine and he thinks there needs to be a reversal in resource allocation. He also pointed to trends in the future for all the students sitting in the hall: "we're going to need 500 million analysts in 6 years and we only have 100 million today." Clearly, these are the people who are going to be well versed at making sense of all that data and transforming it into something usable and most importantly, actionable by individuals.

Tapan Parikh, a Berkeley University professor brought us back into traditional technology and current trends. Tapan’s research interests include human-computer interaction (HCI), mobile computing, speech UIs and information systems for microfinance, smallholder agriculture and global health.

He showed us photographs and results of some of his work in rural areas. Of his latest projects, Tapan has been designing, developing and deploying information systems in the rural developing world – initially in India, and now also in Latin America and Africa.

Tapan and his students have started several technology companies serving rural communities and the development sector. It was inspirational to see what they have accomplished so far and to see what is possible with resources, tearing down silos, sharing among communities and better access.

What he hopes to represent is the notion of showing respect for where you come from. He says, "Pick a challenge that is important to you" (for him, it was setting up real-time video conferencing, knowledge sharing and instant messaging in India), "and stick to it." He adds, "Don't assume you know what people need for their development - let them speak up, don't act for them."

I was thrilled that Tiffany Shlain was able to join us this year as I've always been a fan of her work. She has been making films for 20 years, and some of them have hit Sundance, Tribeca, Rotterdam and others and her films have won over 36 film festival awards.

Tiffany says, "each time we were able to change the way we recorded film and show reality, we were able to change reality itself."

She showed us snippets from her most recent film: Connected: An Autoblogography About Love, Death & Technology, A Declaration of Interdependence.” Connected had its U.S. theatrical tour this past fall and is now available for people to host their own screenings. 

The U.S. Department of State’s Bureau of Educational and Cultural Affairs and the University of Southern California’s School of Cinematic Arts (SCA) announced earlier this month the 29 films selected for the American Film Showcase, an international cultural diplomacy initiative that brings people together worldwide through film and Connected made the list.

The movie is enlightening and sad at the same time, taking us deep into what is happening around us in a connected world and how technology is shaping and reshaping us. Bravo!! I have a love/hate relationship with technology myself -- the timing of this film couldn't be more perfect.

"Do something radical and true," she says. "We as humans should declare our human interdependence." Film projects they're working on for others are centered on life's most emotional topics: engagement, power, money, wisdom, death, inspiration, the brain and others.

Now that we're back to Entertainment, the E in TED, the last two speakers this year were performers: magician Robert Strong and violinist Lindsey Stirling.

Robert Strong is known as 'The Comedy Magician' and in watching him, it's so clear that magic is his life passion. He has performed on every major television network, in more than 40 different countries, in all 50 states, and twice at the White House.  

I never paid much attention to the word magic until I renamed my own consultancy with Magic in the name. Now, I see 'magic' everywhere and am a true believer that perception is reality and that we can create any outcome we want through our own belief systems.

Lindsey Stirling, who I first saw play at Idea Festival in Kentucky last fall, is often referred to as the Hip Hop Violinist. Her passion, energy, and presence is magnetic, so much so, that you can't help but want to get up on stage and dance as she jumps around, violin and all, around you. Here's some background on her work. Let's just say that I'm a huge fan.

Check out last year's (2011) TEDxBerkeley talks on video. And a few talks from last year to get you inspired were Chip Conley on remembering that we're human in business, Anat Baniel on flexibility and vitality, Lopas Brunjes on carbon reduction, Bryan Alvarez on living organisms in our body, and Shore Slocum on spiritual awakening and awareness and how this can transform your everyday life. 

Photo Credits: Lightbulb - Kauffman.org, Speaker images by Renee Blodgett

The Music Doesn't STOP in Budapest!

I feel as if I'm about ten, have just come back from music camp and my life is full of endless possibilities. It's as if I fell upon a candy fountain oozing with different vibes and rhythms from around the world, and they're firing out rainbows of melodies, each one asking me to be part of its creation.

This isn't a mash-up and I'm not even online. All day, I wandered the streets of Budapest getting fed, not with food, but with song. The soul is so full after a day of song that it forgets about food, even with plenty of it around.

With Vienna only a couple of hours away, I felt as if I could have been within its walls, the music permeatration was so intense. Yet, it's not Vienna, but -- some would say -- its less cultured cousin, Budapest, split by the Danube River so that Budapest doesn't even call its city its own entirely - one side gets Buda and the other gets Pest. 

My first and only memory of the place was in the mid-eighties and music was first and foremost in my mind, even in an era when East Europe was mostly gray and full of restrictions.  I was very young and had not yet been exposed to composition -- REAL composition that is, despite the fact that both art and music teachers had tried. We were in some traditional old world restaurant eating goose & duck and drinking Cabernet before I knew you could have orgasms on the stuff. Around us swam violin players who played throughout the entire meal, one which lasted six hours long and ended with a $25 bill including several deep, luscious reds.

I remembered the violin because both players were so damn good. Every form of expression, whether it be on the keyboard, or on a blank white canvas, happens for me at a visceral level. Back then however, I wouldn't have known a great violin player from a good one and yet, I was stopped in my tracks.

The musicians forced me to stop eating and pay attention. They forced me to understand composition. They forced me to cry at their nearly perfect musical offering. They forced me to hear their texture, whether I was in the mood or ready to understand it or not.

Exceptional talent forces great things on you when you're ready to listen, which I almost always have been, other shortcomings aside.

Exceptional talent stops you in your tracks and then somehow, you're fundamentally changed because you listened and because you heard what they had to say.

Budapest spoke to me all day, starting with folk music at the top of the hill in some enclave within Buda Castle. It was "okay" (better than average), most definitely 'local' but more than anything else, the musicians were committed. God, I love that word. (it's probably because I live on the west coast of America now where I feel as if I'm swimming among the least committed people I've ever settled down with and that's after spending time "settling" in 11 countries).

After the "okay but very committed" folk music performance, I fell upon traditional music which included the top Hungarian dancers from around the world, each one doing a chosen number within a three hour period. All of them were, yes...you got it, committed.

Each in their native custume attire, they flew out on stage ready to perform, none of them fearful or worried about people shooting them with a still or video camera, none of them caring where their "performance -- their committed performance" would show up.

In the states, where the Internet and social media reign, its amazing how much performers care about the potential publicity a 2 minute clip would lose in revenue despite how much publicity and connection it would generate. Then there's their publicists, agents, handlers and middle men.

The Hungarian performers said "bring it on," as their committed selves showed up and played 200% in front of the camera and when the light was no longer green. I get that Hungarian culture doesn't embrace entrepreneurship and so you could argue that their lack of loving green paper has kept them behind socially and economically.

Having an entrepeneur spirit myself, there's no question when I saw a tent loaded with interesting pottery created by the Secondary Technical-Vocational School of Folk Arts and Secondary Academic Grammar School, that I was annoyed that the art was not for sale when every other tent was collecting money for their 'creations.' Let them sell I, I thought. "Teach them entrepreneurship. Profits from their pottery could go towards a future dream," I said to the late thirty-something very blue-eyed woman who struggled with my response. (Below, their beautiful masterpieces)

I knew she understood some of what I said but also knew that my plea was one that would be noted but not transferred into something actionable in the next 60 days, and so I made my pitch, told her the work was stunning and moved on.

From folk to traditional to guitar (one called the ZITHER, which had me mezmorized in the same way that the Indonesian gamelan does does), to world music and Mbaye Ndiaye & the Afro Magic Band, which has its roots from Senegal but did a nice job blending African, reggae, jazz and global fusion together.

Within the hour, I was up on stage dancing with their lead drummer (solo btw) and shortly thereafter dancing with Gabor stage right, a blue-eyed Russian, who while may have been adorable, had so much alcohol on his breath that I had to politely decline after our first attempt at a cha cha to a slow-ish African jazz number.

The performers went out of their way to bring the children on stage and coach them on not just how to dance, but how to move by feeling their way to the rhythm simply by listening. It was fascinating and I loved every minute of it.

I was sorry to see Mbaye Ndiaye pack up...their energy and spirit only made me crave more of it. And so, I meandered over to another area of the massive hill which houses the castle only to discover more folk dancing and guitar, soon to be followed by traditional Gypsy (also spelled Gipsy) music which carried on for another 3 hours.

While it may be hard to dance on uneven cobblestone ground that is well over 500 years old, it was even harder not to try. I ran into a Scientologist who looked like Joseph (yes, Jesus' Joseph) who was selling corn on the cob while simultaneously trying to convert me in VERY broken English, all while tapping his foot to the Gypsy band.

I had already gleefully become ten again and full before I left the castle, when I suddenly fell upon more live music. I was on a search for one of the old world bars, bistros, cafes or restaurants recommended by my host, friends and a bunch of online pals who sent me great suggestions via Twitter and Facebook.

I had crossed the chain bridge, hung a right looking for the decadent chocolate stand on the street (she must only set up on Friday and Saturday nights I quietly cursed), knowing that I had been thinking about that dark chocolate pistachio and cranberry creation for half the day. I asked for directions from a local cafe to two different locations and was told it was a 25 minute walk. 

The backpack was heavy with camera lenses and a fabulous set of hand-painted coasters I picked up with a local artist along the way, yet I was in it for the haul, so re-adjusted my bag and foot bandaids (necessary for any Europe trip where you're wearing sandals and plan to do a lot of walking) and began my journey towards my Hungarian bistro on the other side of town.

And then I heard it. Clapping. Voices. Cello. Violin. The violin...ahhh, it purred. This was no ordinary violinist, something I could tell from four blocks away. I was told to scout down Lakatos and hear him play if he was in town for a performance but little did I know that I'd get a surprise I hadn't anticipated: Zoltan Maga accompanied by the Vac Symphony Orchestra, playing outside the Szent Istvan Bazilika, a church named for Saint Stephen I, the first King of Hungary.

Imagine the scene: a gorgeous, ancient white-stoned church named after a Hungarian King on a warm summer night.

The moon was out, glistening over hundreds of people sitting outside, sprawled on chairs and the ground while an orchestra of cellos, violins, tubas, saxophones and clarinets played. Zoltan Maga's passion was addictive as his talent for the violin led the way, together with the conductor and nothing -- I mean nothing -- could have distracted you from the two hours of musical joy.

What I failed to remember is the influence of Austrian music greats at the time when Hungary used to be part of the Austro-Hungarian empire. Because of that, people appreciate classical music and embrace it. The country combines composers (Mozart, Beethoven, Haydn) coming from Austria/Germany with strong Hungarian folk and gypsy blends. 

AND, Hungary has its own greats, the most famous being Liszt, followed by Bartok, two of the all-time greats. Kodaly is probably next followed by Kurtag and Ligeti, who are two of the most prominent classical composers from the last 60 years -- both Hungarian.

To top it off, they have an amazing number of top-rank conductors: Ormandy, Szell, Dorati, Solti, Reiner, Kertesz, and Fischer. And then there's their pianists: Kocsis, Schiff, Fricsay.

Crikey, it's no wonder I felt like ten, that the world has endless possibilities and that incredible talent was following me around the city all day -- and night.

Thanks Budapest for the incredible memories and the musical talent, all of which was infused with so much passion and commitment that it made me dream of practicing piano again and the idea of searching for a saxophone teacher as soon I got home.

Below, Zoltan Krulik and the Makam Band!

Robert Terceck: Reclaim the Power of the Personal Narrative: TEDxMarin

Robert Terceck gives a talk entitled: Reclaiming the Power of the Personal Narrative. In other words, using social media to get your story out there. "Validation is the most important thing," for people he says. Rather than outsource your story or your voice, get out there, be present and be heard. Robert is the former president of Digital Media for the Oprah Winfrey Network and before that a Senior VP of Digital Media at Sony Pictures Entertainment. Below is his TEDxMarin talk.

WOMEX for International Music Scene in Copenhagen

WOMEX is a very cool music event being held in Copenhagen, Denmark this October. The event highlights the most important international professional market of world music of every kind.

Think of it as an international fair, which brings together professionals from the worlds of folk, roots, ethnic and traditional music and also includes concerts, conferences and documentary films. It contributes to networking as an effective means of promoting music and culture of all kinds across frontiers. 

Since it started, there have been significant milestones including its current state:

• 2,440 delegates and 1,360 companies from 94 countries.


• 850 concert and festival bookers.


• 600 labels, publishers and distributors.


• 700 managers and 350 producers.


• 350 national and international journalists, incl. 170 radio broadcasters.


• A bustling Trade Fair with 260 stands and 650 exhibiting companies.


• 59 Showcase acts with 300 artists from 38 countries on 6 stages.


• More than 60 speakers in 20 Conference Sessions; a Mentoring programme; a new Matchmaking service for publishers and Country Speed-Dating.


• A festive Opening Concert – The Chaosmos of Korean Music: Heaven, Earth and Human – presenting three of the finest bands on the contemporary Korean music scene.

It will be held from October 26-30, 2011 in Copenhagen although check out information on Virtual WOMEX as well.

 

Tom McCarthy's WIN WIN Includes One of My Favorites: Paul Giamatti

I attended the Red Carpet Press Event on March 14, 2011, for the opening premiere of WIN WIN at Austin's Paramount Theatre during the South by Southwest Film Festival (SXSW).

We had to arrive an hour and a half before the producer, actors and director arrived. During that time, the film publicists checked you in and lined you up in a particular location at the edge of the red carpet, which was set up in an L shape that led into the theatre.

The cast included talent Paul Giamatti, most known for his stunning and humorous performance in Sideways (aka I don't drink Merlot), Amy Ryan and new to the stage Alex Schaffer who was a young boxer who tried out for a part for the first time. Tom McCarthy was the film's Director/Writer. 

Below is a live broadcast interview they did the day before the premiere which I attended as an observer. 

Should you see the film? Absolutely! Here's the storyline: disheartened attorney Mike Flaherty (Giamatti), who moonlights as a high school wrestling coach, stumbles across a star athlete through some questionable business dealings while trying to support his family. Just as it looks like he will get a double payday, the boy's mother shows up fresh from rehab and flat broke, threatening to derail everything. As always Giamatti brings you in for more of his quirky and funny personality regardless of what role he plays. 

Here's a handful of snapshots I took at the Red Carpet Event:

Amy Ryan: warm, engaging, charming and playful 

Paul Giamatti: funny, direct, warm, engaging....wish I had more time

Tom McCarthy: smart, honest, sincere, soive, reflective (also wish I had more time: we seem to have similar roots)

Alex Schaffer: youthful, shy, adorable....shocked to discover that it was his first time in a film role

Below is the video footage I took of the cast and director getting interviewed along the Red Carpet while I largely shot stills:

Here's a review by the Christian Science Monitor. One other note: Tom McCarthy's latest film (The Station Agent & The Visitor) was also a big fan favorite at Sundance. I had a chance to talk to him briefly and in my brief exchange, all I can say is thumbs up.

Miranda July's THE FUTURE: Living in 2 Terrifyingly Vacant & Different Realities

I'd recommend seeing The Future, a film which previewed at the South by Southwest Film Festival (SXSW) last week. The film tells the story of a thirty-something couple who, on deciding to adopt a stray cat, change their perspective on life, literally altering the course of time and testing their faith in each other and themselves. Characters Sophie and Jason are strange the way all couples are strange when they’re alone. They live in a small LA apartment, have jobs they hate, and in one month they’ll adopt a stray cat named Paw Paw.

Like a newborn baby, he’ll need around-the-clock care – he may die in six months, or it may take five years. Despite their good intentions, Sophie and Jason are terrified of their looming loss of freedom. So with just one month left, they quit their jobs, and the Internet, to pursue their dreams – Sophie wants to create a dance, Jason wants simply to be guided by fate. But as the month slips away, Sophie becomes increasingly, humiliatingly paralyzed.

In a moment of desperation, she calls a stranger, Marshall – a square, fifty-year-old man who lives in the Valley. In his suburban world she doesn’t have to be herself; as long as she stays there, she’ll never have to try (and fail) again. Living in two terrifyingly vacant and different realities, Sophie and Jason must reunite with time, space and their own souls in order to come home.

Says Director Miranda July: "when I was a kid, I had a folder labeled “ways to go back in time/enter other worlds.” I never actually put anything in it, but I still have the folder, and the feeling that there might be a way. And, meanwhile, moving forward through time, minute by minute, day by day, has turned out to be its own challenge – no less science fictional, and in moments, almost as impossible. This movie is about that. 

It seemed to me, a woman in her thirties, that time had suddenly become the protagonist of my life; I was stunned by a new awareness of mortality, of life being finite. I suppose this marks the beginning of adulthood. Or, if you are not quite ready for adulthood, it marks the beginning of a problem. 

She adds, "and, even if you flee your life, I think you still end up in the same place in the end. You still have to be you, you still have to make the dance. It’s just much harder, and some important things are lost along the way. So this story is also told from the point of view of what was lost – a cat, who tells the truth simply and is completely exposed, like someone just born or someone very old. He was the only way I could describe the bittersweet vertigo of true love.......which is the thing that got me thinking about mortality in the first place.

The Internet and the way it affects human relationships are major themes in both of her films. When asked how she deals with the struggle of “constant connectedness” faced by Sophie and Jason in The Future, Miranda with this answer: "Remembering that I can exist at all without being online is a daily challenge. It’s interesting to me because it’s so new. How often is there a brand new daily challenge shared by almost every person you know? But as an artist who has always tried to find new ways to feel intimacy with the audience, it also seems useful.

Part of me will always be the twenty-year-old who tried to create revolutions through fanzines and VHS tapes and the US postal service. So that girl is pretty wowed by the fact that she can write a tweet and get instant responses. And yet (and this is the thing that really dates me) I hate to do anything that might make it even harder to have long thoughts that take a long time to unravel. So I use Twitter, Facebook, and my website in my own slow way, which is not all that effective, from a networking standpoint.

A lot of online culture is about being watched and reacted to, which is something I think women and girls have a special relationship to. Teenage girls often discover their power through being looked at. If you have the usual “mom/dad didn’t really see me” issues, then it’s easy to get pretty caught up in being seen. (Type “me dancing in my room” into a YouTube search and you’ll see what I mean.) Being watched kind of takes away the burden of living; you almost don’t have to exist while you’re being watched.

In the movie I kind of reverse-engineer this aspect of the Internet, bring it back to its origins. Sophie wants to make a YouTube dance before becoming responsible – essentially it is her last chance to be watched like a child. So when she can’t do it, when she’s paralyzed, this is a real crisis. She has to find another way to be watched, and she does. Only when she’s faced with a real child in need does she give up, and giving up allows her to transform into a grown up, through the shirt dance. Did I know all this when I was writing it? Uh, no. But I write from the unconscious, and these were a lot of the issues I was wrestling with after my last movie.

Miranda is a filmmaker, artist, and writer and her videos, performances, and web-based projects have been presented at sites such as the Museum of Modern Art, the Guggenheim Museum and in two Whitney Biennials. July wrote, directed and starred in her first feature-length film, Me and You and Everyone We Know (2005), which won a special jury prize at the Sundance Film Festival and four prizes at the Cannes Film Festival, including the Caméra d'Or. Here's a link to a write-up in the Indie Wire.

Interactivity and You: Which TRIBE do you BELONG to?

The National Film Board of Canada was at SXSW as part of the IDFA DocLab and unveiled its online interactive web-doc My Tribe Is My Life which was created by Myriam Verreault & Alex Leduc.

The showcase combines documentary storytelling with digital technology. It begs the question: What Tribe Do You Belong to?

Through the eyes of eight style-conscious music fans from My Tribe Is My Life, an interactive web-doc examines their distinctive worlds in a way that allows you the viewer to see the impact of the Internet’s impact on their interpersonal relationships and how they construct their personal identity.

As a player in this interactive experience, you can choose an avatar and find out about the Internet’s impact on you, allowing you to engage in an analysis of virtual networks and to question attitudes about these new social realities. 

You will encounter eight diverse characters and have the opportunity to observe them as they go about their day-to-day activities. Through a series of questions, you will be invited to think about the role of the Internet in your own life. When you create an avatar, you can personalize its style, characteristics, accessories, etc., as well as comment on the film and chat with other participants.

The 8 Characters include: Patrick, a Goth loner who lives in his parents’ basement, and has built up a network on a forum dedicated to “vampire” style; Heythem, who organizes reggae parties, and views Facebook as the post-modern address book; Jimmy, a rapper in Abitibi, and a member of Quebec’s hip hop community; Janis (a.k.a. DJ Monochrome), an insurance broker by day and a passionate player in Quebec’s electro music scene by night; Laurianne from Sayabec in the Gaspé, who refines her Goth ethos in daily forum discussions; Sébastien, a Goth dandy/loli and a great admirer of the Japanese Harajuku culture, who regularly uploads photos of himself in his exquisitely constructed clothing ensembles; Pierre-Luc from St-Félicien, a provocateur through his “public private diary,” which has become his Facebook profile; and Shana, an emo teenager from Maliotenam on the North Shore, who derives her sense of identity through her friends, live chat rooms and a penchant for lip-synching videos. 

To each his “tribe:” Goth, emo, reggae, rap, vampire. . . . Music is often more than a simple cultural product; it can be a means of constructing identity. Online social networks allow Web users to share music, information, images and feelings; in seeking out their own “kind,” they can discover a tribe that speaks to them. And, in exchange for expressing themselves through sharing and posting, they hope to receive comments, opinions and gestures of approval, all of which serves to validate their identity. 

The film trailer can be found here.

Photographer Kurt Markus is Visionary Filmmaker Behind It’s About You

Kurt Markus, whose work as a still photographer has put him in the front ranks of contemporary American visual artists, is the visionary filmmaker behind It’s About You.  The film will premiere as one of the featured selections chosen for the 2011 SXSW® Film Conference and Festival at the Alamo Ritz 1 at 6:30 PM on Saturday, March 12, 2011 in Austin, Texas, followed by a Q+A session with the filmmakers and John Mellencamp.

It’s About You, an American Documentary Showcase selection, will be featured at the Nashville Film Festival next month. Nashville screenings are set for Sunday, April 17 at 8 PM and Monday, April 18 at 3 PM, both at the Regal Cinema in Green Hills.

Shot in Super 8 during the course of John Mellencamp’s six-week 2009 summer tour with Bob Dylan and Willie Nelson. It’s About You chronicles the recording of No Better Than This, Mellencamp’s T Bone Burnett-produced album at three historic locations utilizing a single microphone and a mono tape recorder more than a half-century-old. This film is far removed from the conventions of standard-issue “rockumentaries” and serves as a think piece about the battering of American society by globalization and greed and the transitory nature of its cultural touchstones. 

Markus was assisted in the project by his son Ian Markus, now a film student at the University of Montana. The filmmakers participating in a panel discussion entitled “The Making of It’s About You, A Super 8 Documentary” at the Austin Convention Center Room 13AB that starts at 5 PM.

 

Father and son followed Mellencamp to 26 cities in 18 states where they documented not only Mellencamp’s musical performances but also the context of these shows as economic upheaval and diaspora have changed American lives and landscapes. The film conjoins Mellencamp’s songs with images of a nation wracked by malaise and decline with contemplative narration written and voiced by the elder Markus.  

It’s worth noting that Mellencamp’s journey is the film's leitmotif but that the artist is never specifically interviewed; there are virtually no “talking heads” seen or heard in the naturalistic piece. This is not a retrospective film with interviews. It is of the moment.

The film visits the nation’s past through the prism of Mellencamp’s historically resonant recording venues: The First African Baptist Church in Savannah, GA where runaway slaves were hidden on their journey to Spanish-controlled Florida and to Sun Studio in Memphis where Mellencamp stood where Elvis Presley, Johnny Cash and Howlin’ Wolf had before him. A recording session in Room 414 of San Antonio’s Gunter Hotel with Mellencamp in the same corner of the room where blues legend Robert Johnson had recorded “Come On In My Kitchen” and “Cross Road Blues” among others more than 70 years earlier is another highlight of No Better Than This.

Markus, who was born in Montana and still lives in that state, made his mark in landscape, figure study, celebrity, fashion and travel. The Cowboy Hall of Fame, Hills Gallery, Halsted Gallery, Staley-Wise Gallery, Gallery have mounted exhibitions of his work for Contemporary Photography and Galleria Photology.  Markus published several monographs, including After Barbed Wire, Buckaroo, Dreaming Georgia, Boxers, Cowpuncher, and Dune.